The research presents the image of women in the life of Abu Tammam and his artistic
experience through what Abu Tammam presented in his poetry library. It shows us that
women occupy a prominent place in their artistic experience and have appeared i
n many
ways.
There is a beloved that the greatness of his travel and talk about it, is often a talk of self,
and women who refuses to obey the poet's desire because it will lead to the life of fainting
and idle.
We start by talking about the image of women as drawn by the poet in his verses, and his
concept of true love as presented by the poet, and then we offer the concept of beauty of
women in Abu Tammam and as presented by his hair and his position of gray,
Our old poetry is still attracting us by its meaning, structure and pectorial methods, and it
opens up in front of us prospects of study and research.
How much the researchers studied its solid peaks, and they are still discovering in its
hidings
a lot and new things. When ever they read deeply and they saild in its hidden and
mysterious waves, and our heritage is rich with the poetry of unknown poets who are still
forgetten for many reasons.
Giran Al-oud Al-Numyrie is one of the poets who didn’t write largely which we stopped to
study them, and his poetry drew our attention by its different subjects. What was found of
the distinct technical and rhetorical properties, and the poetry for woman drew our
attention, He was a poet of flirtation and description by describing woman excessively. He
succeeded in portraiting the woman and he had his own experience with her. We wanted to
remove what is unknown a bout this poet, and his life and stop to think a bout the woman
in his poetry. We can discern the variety of photos discriptions which he presented for the
woman, and we can feed the effect of environment and Culture and his personal life of the
poet in riching his poetic experience and nourishing his imagination .
Woman has struggled for a long time through Liberation Movements and Women Associations to achieve her freedom and the equality with men to get some of her rights, and among these rights there's the right to work or work outside the home, previously
women's work was only at home with some handwork and agricultural works, and here it must be pointed out that seeking women to work was the result of several motives of social and economic reasons, which led to several results that reflected on woman, family and community life.
This research aims to study the dimensions of honey harvesting in the poetry of Al-
Huthaliyeen who associate talking about honey harvesting by comparing the sweet taste of
honey to a woman's saliva taste. Thus , they demonstrate the pleasure of ac
hieving the
desiredgoalafter toil. In this context , we see them highlight the mixing of honey with pure
water and wine to signify the sublime life they seek to attain. In their poetry , we see them
explore the poor living conditions of the apiarist - his toil and experiencing dangers to get
honey. They explain that in his quest of honey under difficult conditions like the rugged
place , the apiarist offers an image of a poet who strives to accomplish his goal. The
dangers of getting honey are highlighted in Al- Huthaliyeenpoetry. Such dangers increase
the hardships of reaching the goal in which the prerequisites and permanence of life are
represented.
The Study aimed at identifying the most important problems confronting the rural society in Lattakia.
The study was based on data collected by means of personal interview from a sample of (270) individuals. percentage and (x2) test were used for
data analysis.
The research results showed that percentage of illiteracy in Countryside of Lattakia was about 12.6 % . Rural society has problems in several fields , social , health , economic, education ,agricultural aspects as well, and the turn of religion men was insufficient. Other problems were found such as health service in some villages was low, minimal religious guidance , high price of consumer durable ,and low confidence in agriculture engineers.
This study was conducted in two areas: Misyaf in Hama governorate and
Alshaikhbader in the governorate of Tartous to identify some of economic and
social effects of animal production projects carried out by rural woman who
had a loan for it. The p
rimary data were collected during the period 2012-2013
from a random sample (23 villages in Misyaf, and 13 villages in
Alshaikhbader). Size of the sample was calculated according to Morgan law so
that 243 rural women were valid for analysis. The results showed a high
percentage of successful projects which had an economic and social impact for
91.8% of respondents and these projects had the following effects: 57.2% of
targeted families stated that there was a rise in their spending on food, 92.2%
of them confirmed the improvement of their food quality. Enhancement in
quality and quantity of their clothes and increasing their ability to take family’s
related decisions declared by 61.7% and 44% of respondents respectively.
About 90.5% of rural women were able to make project’s related decisions and
85.6% of targeted women acknowledged a rise in self trust after the
implementation of the project. The results also showed that there was a
significant relationship between each of employment status before having the
loan, project’s annual income and the dependent variable: rural woman’s
successful project (at level of significance 1%) by using Logistic Equation. It
was concluded that micro finance projects had a good impact on empowerment
of rural women and activating their economic and social role. The projects also
increased the family income and improving the living situation.
Many images of sea, sea waves and ships is repeated in al-Jahili poetry; sometimes,
such images are formulated partially in one single line of verse or as a quick flicker, if not
such those detailed or circumlocutory images; other times, they occur
as comprehensive
images that embody the poet's collective literary experience, upon which textual symbols
are structured in the form of oppositional or substitutive functions and suggestions.
This piece of research concludes that such maritime images take place in three
contexts: either in the howdahs' or riding camels journeys in which the image of the shiphowdah
or ship-camel appears; or, in love poetry, in which the image of the pearl woman
appears. Or, they may occur while disclosing the poetical self when highly indulged in
rhetoric, semantics and oration, not to mention vainglory, generosity and hospitality
speeches.
In brief, this research attempts to explain the relationship of such images to the
structure of the al-Jahili poem, the poetical self, the human temperament, and his
psychological and cultural horizons.
We can notice nowadays that globalization, with its own variety of means, has worked and is still working to spread chaos and violence and to destroy affiliation through its project oriented against women, youth and childhood. Globalization is trying
to uproot their identity and affiliations and subordinate them to the market economy that disregards the sense of nationalism and replace it with a bank account and credit card number. It also works to objectify our humanity and change it into a commodity to change the individual into a domesticated human being in rigid molds, wasting his/her existence and transforming them into a tool.
The image of female body is no more than an advertising tool, used for the promotion of various merchandise through focusing on the instinctive sexual aspects. This transforms women into a myth with multiple connotations (distraction and "breastfeeding" entertainment, violence and delinquency, excitement of physical desires, etc). Has TV drama on Syrian TV satellite channels contributed to the promotion of this image? Or has it worked to change this image and reduce the phenomenon of domestic violence actually practised? What are the recommendations and suggestions that can enrich this research and provide solutions regarding the phenomenon of domestic violence against women in our society? .
This study aims at studying the feminist novel in Palestine under the Zionist occupation. The researcher chose the novelist (Sahar Khalifa) as a model since she is considered one of the most prominent creative writer in the field of the contemporary
feminist novels in her novels (We are No More Bond girls for you) and (An Autobiography of An Impractical Woman) and (The Cactus) and (The Sun Flower) Any researcher will not be able to understand the feminist novel in Palestine without understanding the Zionist occupation and the essence of the contradictions that a creative person lives in the atmosphere of repression, suppression siege, oppression and daily killing.
The research tries to show the image of the woman in these novels and did the writer (Sahar Khalifa) harmonize with her real life in Palestine or did she divert from her covey. This is what the writer tries to show at the end of his study.
This paper explores the image of the Eastern woman in travel
literature and the subsequent treatment of her in the Restoration and
eighteenth century drama. The study shows that the travelers’ stories and
notions of the Eastern woman’s lifestyle were adopted by the English
dramatists and sometimes incorporated in their particulars. It argues that
travel literature played a profound role in constructing the image of the
Eastern woman on the English stage, in that period, as a subjugated
lascivious ‘being’ and stresses that this very negative image was based on
the misconceptions and often ill-founded narrations of the travelers.
