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Maritime Images in al-Jahili Poetry A Study of Relevant Poetical Contexts & Semiotics

الصور البحرية في الشعر الجاهلي قراءة في سياقاتها و دلالاتها الشعرية

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 Publication date 2013
and research's language is العربية
 Created by Shamra Editor




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Many images of sea, sea waves and ships is repeated in al-Jahili poetry; sometimes, such images are formulated partially in one single line of verse or as a quick flicker, if not such those detailed or circumlocutory images; other times, they occur as comprehensive images that embody the poet's collective literary experience, upon which textual symbols are structured in the form of oppositional or substitutive functions and suggestions. This piece of research concludes that such maritime images take place in three contexts: either in the howdahs' or riding camels journeys in which the image of the shiphowdah or ship-camel appears; or, in love poetry, in which the image of the pearl woman appears. Or, they may occur while disclosing the poetical self when highly indulged in rhetoric, semantics and oration, not to mention vainglory, generosity and hospitality speeches. In brief, this research attempts to explain the relationship of such images to the structure of the al-Jahili poem, the poetical self, the human temperament, and his psychological and cultural horizons.


Artificial intelligence review:
Research summary
تناقش هذه الدراسة الصور البحرية في الشعر الجاهلي، حيث تتناول تكرار صور البحر وأمواجه وسفنه في هذا الشعر. يوضح البحث أن هذه الصور تظهر في ثلاثة سياقات رئيسية: أولاً، في رحلات الظعائن والناقة، حيث تشبه الظعينة بالسفينة والناقة بالسفينة. ثانياً، في الغزل، حيث تشبه المرأة بالدرّة. ثالثاً، في أحاديث الذات الشاعرة التي تتفاخر بالبلاغة والكرم والقوة. يحاول البحث تفسير العلاقة بين هذه الصور وبنية القصيدة الجاهلية، والذات الشاعرة، والطبيعة البشرية بأبعادها النفسية والثقافية. يعتمد البحث على منهجية فنية جمالية لتحليل النصوص، مع التركيز على الشعر بدلاً من السير الذاتية للشعراء. يتناول البحث أيضاً كيفية تشكل الصور البحرية في القصائد الجاهلية ودلالاتها الفنية، ويخلص إلى أن البحر كان مصدراً غنياً للإلهام الشعري، حيث قدم عالماً بديلاً لعالم الصحراء، وأصبح رمزاً بؤرياً يجسد التجربة الأدبية الشاملة عند الشاعر.
Critical review
تعتبر الدراسة قيمة في تسليط الضوء على جوانب غير مألوفة من الشعر الجاهلي، إلا أنها قد تكون قد أغفلت بعض الجوانب الأخرى التي تستحق البحث. على سبيل المثال، لم تتناول الدراسة بشكل كافٍ تأثير البيئة البحرية على حياة الشعراء الجاهليين وكيفية انعكاس ذلك في شعرهم. كما أن التركيز على الصور البحرية قد جعل الدراسة تتجاهل بعض الصور الأخرى التي قد تكون لها دلالات مشابهة. بالإضافة إلى ذلك، قد يكون من المفيد توسيع نطاق الدراسة ليشمل تأثير هذه الصور على الأدب العربي بشكل عام، وليس فقط في الشعر الجاهلي.
Questions related to the research
  1. ما هي السياقات الثلاثة التي تظهر فيها الصور البحرية في الشعر الجاهلي؟

    تظهر الصور البحرية في الشعر الجاهلي في ثلاثة سياقات رئيسية: رحلات الظعائن والناقة، الغزل، وأحاديث الذات الشاعرة التي تتفاخر بالبلاغة والكرم والقوة.

  2. كيف يحاول البحث تفسير العلاقة بين الصور البحرية وبنية القصيدة الجاهلية؟

    يحاول البحث تفسير العلاقة بين الصور البحرية وبنية القصيدة الجاهلية من خلال تحليل كيفية تشكل هذه الصور ودلالاتها الفنية، وربطها بالذات الشاعرة والطبيعة البشرية بأبعادها النفسية والثقافية.

  3. ما هي المنهجية التي اعتمدها البحث في دراسة النصوص وتحليلها؟

    اعتمد البحث على منهجية فنية جمالية لتحليل النصوص، مع التركيز على الشعر بدلاً من السير الذاتية للشعراء، وذلك لإظهار البناء الجمالي لصور البحر في القصيدة الجاهلية.

  4. ما هي النتائج الرئيسية التي توصل إليها البحث؟

    توصل البحث إلى أن البحر كان مصدراً غنياً للإلهام الشعري في الشعر الجاهلي، حيث قدم عالماً بديلاً لعالم الصحراء، وأصبح رمزاً بؤرياً يجسد التجربة الأدبية الشاملة عند الشاعر.


References used
الضبي, المفضل بن محمد بن يعلى, المفضليات تحقيق و شرح أحمد محمد شاكر , و عبد السلام هارون , ق: 48, ص 227
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