Many images of sea, sea waves and ships is repeated in al-Jahili poetry; sometimes,
such images are formulated partially in one single line of verse or as a quick flicker, if not
such those detailed or circumlocutory images; other times, they occur
as comprehensive
images that embody the poet's collective literary experience, upon which textual symbols
are structured in the form of oppositional or substitutive functions and suggestions.
This piece of research concludes that such maritime images take place in three
contexts: either in the howdahs' or riding camels journeys in which the image of the shiphowdah
or ship-camel appears; or, in love poetry, in which the image of the pearl woman
appears. Or, they may occur while disclosing the poetical self when highly indulged in
rhetoric, semantics and oration, not to mention vainglory, generosity and hospitality
speeches.
In brief, this research attempts to explain the relationship of such images to the
structure of the al-Jahili poem, the poetical self, the human temperament, and his
psychological and cultural horizons.
This research talks about the value of sublime being one of the aesthetic values
which underlie aesthetics. Sublime indicates from one hand adding respect and veneration
to what the sublime person does including noble actions, through which he gets
higher than
others. And this what generosity can do being a way to reach the sublime, thus we
privileged generosity and showing its relation tosublime asan aesthetic value. Therefore,
generosity is an individual and social trait which is achieved through giving money or
doing a Nobile action, which makes the person who does it deserve respect and reverence.
Hence, the value off sublime is to reveal the generosity aspect when it is formed in
oneself, and this is as the sublime value is reflected in others, who benefited from it,
watched it or heard about it.
This research talks about the value of sublime being one of the aesthetic values
which underlie aesthetics . The Galilee in one of the manifestations of fear and power -
Based on these two principles- It can be embodied in the image of the hero , B
ecause he
faces his fear ramming it , Impervious to death , This intrusion is based on the principle of
force , So is the manifestation of an individual tournament , Because the hero has a distinct
recipes , Not owned by someone else .
research depends on the selection of the Poetry models Describes the image of the
hero Which becomes solemn Through its potential Which is trying to achieve it , And
while achieved proves itself , And makes it superior to others with , And poets have
legalized the language in these selected models make it sensuous standard And
psychological And mental for al Jalil which the feeling self for a way to prove majesty .
