We can notice nowadays that globalization, with its own variety of means, has worked and is still working to spread chaos and violence and to destroy affiliation through its project oriented against women, youth and childhood. Globalization is trying
to uproot their identity and affiliations and subordinate them to the market economy that disregards the sense of nationalism and replace it with a bank account and credit card number. It also works to objectify our humanity and change it into a commodity to change the individual into a domesticated human being in rigid molds, wasting his/her existence and transforming them into a tool.
The image of female body is no more than an advertising tool, used for the promotion of various merchandise through focusing on the instinctive sexual aspects. This transforms women into a myth with multiple connotations (distraction and "breastfeeding" entertainment, violence and delinquency, excitement of physical desires, etc). Has TV drama on Syrian TV satellite channels contributed to the promotion of this image? Or has it worked to change this image and reduce the phenomenon of domestic violence actually practised? What are the recommendations and suggestions that can enrich this research and provide solutions regarding the phenomenon of domestic violence against women in our society? .
يدرس هذا البحث الدراما بوصفها فّنًا أدبيًا، ويهدف من ذلك أن يتوصل إلى مدى توافر عناصرها و أساليبها في النص القرآني، فيطرح إشكالية البحث من خلال الأسئلة الآتية:
ما هي الدراما؟
وهل وجدت في القرآن العظيم؟
ثم إذا وجدت في القرآن فما سمات الدراما في النص القرآني؟
The purpose of this Aldrashala identify the image Alnmtihalta Tardhadaramavi
Syrian television and be Aldrashmn community group of serials
Aldramahalsorahastkhaddmt Albageshmenhj content analysis to identify the stereotype
offered by those soap op
eras and disclosure of background form a mirror image in a TV
drama and the circumstances that contributed to the pull that image in a way that a certain
order to ascertain health or wrong hypotheses that will put them and after analysis of the
data shows that were stained traditional stereotype for the bulk of the dramas of the Syrian
and confined women in the triangular corner of the female parent wife wear it Our lady of
the kitchen and interested bellies family-sided interested offers fashion on the other hand ،a
woman that fail to be typical wife in case went to work and participate in building the
Alizma.
This research shows that the old poem may be characterized by
dramatic dimension, which is connected with dominance of the
particular lyricism, because the dramatic sense is a reflection on
the humanitarian contest. That is not depend on the theat
er as at
Greeks era and after. However, we can find it in poems too. In
addition, the lyricism of the old Arabic poetry does not prevent
the appearance of dramatic dimension in it.
This research aims to discover the drama and narrative in old
Arabic poetry, by studying poesy Ainyat Abi Zhouaib Al Hathaly,
which consists of psychological emotional start, the poet narrates
in it his tragedy using dialogical dramatic start, followed by
narrative presentation tree growing stories: the Zebra and his
female, the bull and the dogs, two heroes.
