يقوم هذا البحث على تفكيك آلية مصطلح النسق المضمر، وذلك في تطبيقاته التحليلية على نسقي (الفحولة/ الأنوثة) في النقد الثقافي عند الغذامي؛ بغية الكشف عن إشكالات هذا المصطلح النقدية التي لم يتفطّن لها المهتمون بالنقد الثقافي عامة، أو بنقد نتاج الغذامي خاصة. وهي إشكالات يمكن تصنيفها في ثلاثة أنواع. الأول إشكال التضاد/التناقض، وهو حينما يكون هناك نصّان للغذامي في موضوع واحد، ويكونان متضادين أو متناقضين، أي ينسخ أحدهما الآخر. وأمّا الإشكال الثاني فهو إشكال اللعب، وهو النص الذي يحمل قراءة أخرى تغاير قراءة الغذامي، يمكن للمتلقي أن يستظهرها بأدوات النقد الثقافي وآلياته ذاتها. والنوع الثالث إشكال الخطيئة، وهو النص الذي يحمل دلالة نقدية تخالف آلية النقد الثقافي وتلغيه.
This research is based on deconstructing the mechanism of the hidden system of term, in its analytical applications on the two modes (virility / femininity) in Al-Ghathami's cultural criticism. In order to reveal the problems of this monetary term that those concerned with cultural criticism in general, or criticism of Al-Ghathami's production in particular. They are problems that can be classified into three types. The first is the paradox / contradiction, which is when there are two texts of Al- Ghathami in one subject, and they are opposite or contradictory, i.e. transcribing one another. The second problem is the problem of play, and it is the text that carries another reading other than the reading of food, which the recipient can memorize through the tools of cultural criticism and its mechanisms themselves. The third type is the problem of sin, which is the text that carries a critical connotation that contradicts and abolishes the cultural criticism mechanism.
References used
AL-GHATHAMI, A. Culture of Illusion -Approaches to Women, Body, and Language,1st edition, The Arab Cultural Center, Beirut, 1998
AL-GHATHAMI, A. System gender, 1st edition, Arab Cultural Center, Beirut, 2017
AL-GHATHAMI, A. Women and Language.3rd The Arab Cultural Center, Beirut, 3rd edition, 2006
AL-GARGANI, A. Signs of miracle. Realization: Mahmoud Shaker, Al-Khanji Library, Cairo, Without date
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