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Register a new userThe tern creativity Reading in the light of cultural interpretation
مصطلح الإبداع قراءة في ضوء التأويل الثقافي و التاريخي
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Authors
وضحى أحمد يونس( باحث )
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يولي هذا البحث اهتماماً خاصاً بالمصطلح النقدي, فينظر إليه بوصفه علاقة تفاعل, و تغير, و خلق فهو مفهومٌ اجتماعي و ثقافي, و فكري, و أدبي له علاقته الوثيقة بالثقافة العربية كونها الرحم الأصلية له. سيختار البحث مصطلحا بعينه و هو الإبداع, ثم سيبحث عن الأشكال اللغوية التي تبلور عبرها المصطلح, كالمُبدع و المُفلّق, و البديع, و المولّد, و غيرها فهي كلها تدور في فلكه , و تؤلف أنساقا متداخلة و مترابطة و متوافقة دون أن تخلو من جدل, و تناقض و سينظر البحث إلى مصطلح الإبداع في ضوء التاريخ الثقافي محاولاً إخراجه من إطاره الضيق. أي دلالته المعجمية , ليدرسه مراعيا العلاقة بين معارف متنوعة تدخل في تشكيله فالإبداع مرحلة انتقال من مذهب إلى أخر, من الطبع إلى الصنعة , و من طور فكري هو النقل إلى طور فكري آخر هو العقل , منتهيا إلى تحديد القيمة الثقافية للمصطلح بين كونه غاية, و وسيلة في آن معاً.
This research gives special attention to the term critical and is considered as a relationship of interaction. Change and creation. It is an intellectual. Cultural. Social and concept that has a close relationship with Arab culture as its original inspiration. The research will select a specific term which is creative. It will examine the linguistic forms that crystallize the creative term. The inventor. The generator and the creative. These concepts are revolving in its orbit. forming differentiated. Interdependent and compatible contexts without any controversy. The light of its narrow framework. Ie. Its lexical significance to be studied considering the relationship between diverse knowledge in its formation. The research will monitor the concept in the context of the most important monetary issues that intersected with it. Creativity is a phase of transition between two technical doctrines in Arabic literature .Vkrien are the say old and the updated mind finite to determine the cultural value of the term between being too and a way that is both together.
References used
الأعشى الكبير (ميمون قيس), ديوان الأعشى الكبير, دار صادر, بيروت, لبنان, د.ط.
الجاحظ, عمرو بن بحر, بتحقيق و شرح عبد السلام محمد هارون, د.تا البيان والتبيين. د.ط, دار الجيل, بيروت, لبنان, أربعة أجزاء.
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There are many views on the question of the logic and mechanisms of historical
development of human society; visions and answers vary, to the extent of total conflict
sometimes, on other issues that relate organically to the first question, perhaps
the most
prominent of which is the general picture of the historical evolution diagram, Sequentially
spherical stages, as well as the question of the so-called nation or the multiple nations that
alternately lead the ship of the evolution of human society in general. This is where the
sharp contrast between the two theories of the so-called equal evolution and the unequal
historical evolution as a problem from which the research begins and ends with emphasis
on the credibility of the last thesis and on highlighting a large and dangerous part of the
ideological manipulation and blindness of the first thesis. The latter, which is one of the
moss serious thesis of European orientalism and the pervasive wooden understanding of the
original thought of Marxist origin.
قوى الإنتاج
علاقات الإنتاج
التطور التاريخي اللامتكافئ
التطور التاريخي المتكافئ
بلدان الأطراف
بلدان المراكز
المركزية الأوروبية المزعومة
المعجزة الرأسمالية المزعومة
The unequalhistorical evolution
The equalhistorical evolution
The countries of the peripheral
The countries of the central
The alleged European centralism
The production of forces
The relations of production
المزيد..
This research is based on deconstructing the mechanism of the hidden system of term, in its analytical applications on the two modes (virility / femininity) in Al-Ghathami's cultural criticism. In order to reveal the problems of this monetary term th
at those concerned with cultural criticism in general, or criticism of Al-Ghathami's production in particular. They are problems that can be classified into three types. The first is the paradox / contradiction, which is when there are two texts of Al- Ghathami in one subject, and they are opposite or contradictory, i.e. transcribing one another. The second problem is the problem of play, and it is the text that carries another reading other than the reading of food, which the recipient can memorize through the tools of cultural criticism and its mechanisms themselves. The third type is the problem of sin, which is the text that carries a critical connotation that contradicts and abolishes the cultural criticism mechanism.
the abundance of intellectual and creative process. Find question arises: Are intellectual increasing
productivity within a specific time affect the quality of ideas? Where most people believe that this
relationship is inverse proportion when in fa
ct it is a direct proportion of any relationship the greater the
quantity and speed of ideas have also increased the quality and how the college of ideas.
It then Researcher provides many examples of famous scientists recorded books creativity and
immortalized the date their name through the ages, where they used methods of exploration intellectual
for the selection of the most appropriate of a series of ideas generated have, possess it on the classification
of the first type of thinker «John Enobern» which class people rated arbitrator eloquent into three types:
those who make the events, and those who they see, and those who are wondering: 'What's going on?
And researcher moves to the conditions and the basic components of productivity intellectual of fluency,
flexibility, originality and intellectual vision of the subject in all its aspects and in different ways,
explaining the need to move away from the way of thinking unilateral, or so-called intellectual stagnation
stressing that by listing the many historical experiences and realism.
The researcher adopted historical and descriptive and analytical in this research, combining stylistic
induction and deduction (conclusion), and using the objectivity in the way away from the self-offering a*
This research was prepared in the context of a student's master's thesis Ehab.
IN this research,I have First defined many issues, then I have tried to explain globalization being the out come of a self power , including its continuation. I have also shed light on the comprehensive side of globalization through the complex inter
relation among human
Beings on the cultural , individual , institutional and social level. I have tried to focus on two main points. First, Globalization is an attempt to gather the world states and their different regions in one entity , This is known as a small village. Second, I have focused on the dimensions of globalization and our awarcness of it , because this movement makes us engaged in one state , called "the global society" .
This paper aims to illustrate the effect of the textual power in the esthetics of the
poetry text, its concepts and the dimension of this effect in the light of psychological
reading of the pre-Islamic poetry. We seek to preeminence the text effect
in the receiver
who uses his psychological tools to find out about the author self, appealing for the tension
power that was assembled by the text of the pre-Islamic poetry, and depending on the
poeticalness of the pre- Islamic figure in order to obtain the esthetics effect that attracts the
receiver and demonstrates the esthetics of the pre-Islamic poetry text and its riches.
The pre-Islamic poetry was not merely an artistic formulation, but it was a position,
thought and expression from the depths of the poet Al-Jahali, in which the da'al floats, and
the meaning falls away, so we get a flexible aesthetic dimension, after it reveals that the
pre-Islamic poetry exceeded and surpassed; Their poems included a special vision of their
mental state.
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