Cities begun in developing countries, by the earlier sixties of the 20th century, to
grow according to the world pattern away from local and locative Affiliation. Also
architectural modern international designs started to spread among its repeated
shapes and
designs. Such a thing led to important issues that affected places where it was found and
presented more issues such as the separation between western adapted patterns and
national values, and the issue of development of the Phenomenon of Globalization
architecture which is only interested in upholding formalism aspects.
Modern regionalism formed in the last few years a solution of the growing debate in
the developing countries about the situation of the architecture and urbanism, in an attempt
by the architects and planners to provide the affiliation and alignment with the place, and
in order to cope with the concept of nowhere in modern architecture using sequenced data
to provide meaning and spirit to the place. Accordingly, to reconsider the possibility of
making use of the location data of the building such as building materials, techniques,
climate and nature, as well as cultural, civilized and community heritage, including its
content of the customs and traditions and re-interpreted within the concept of modernity,
the concept that has gained a strong and comprehensive presence in the first half of the
twentieth century and that was in the aim of finding authentic formulas within modernity.
IN this research,I have First defined many issues, then I have tried to explain globalization being the out come of a self power , including its continuation. I have also shed light on the comprehensive side of globalization through the complex inter
relation among human
Beings on the cultural , individual , institutional and social level. I have tried to focus on two main points. First, Globalization is an attempt to gather the world states and their different regions in one entity , This is known as a small village. Second, I have focused on the dimensions of globalization and our awarcness of it , because this movement makes us engaged in one state , called "the global society" .
The setting in novels has captured the novelists' attention in the contemporary literary world. It was considered the link between elements of the novel. It is، after all، the setting of the events، the substantial scope in which characters move and
where all conflicts take place. Thus، the setting، with its different types، has preoccupied modern studies which examined the relation between the setting and the narrative elements، especially the character. Studies have preserved to reflect the relation between setting and character and the effect this relation has on forming the setting and giving it specific characteristics depending upon the case and the reality of the Palestinian movement. This relation between setting and character has acquired much importance due to the mutual relation between the two، to the extent that setting، in some novels، has become a basis for the events، a purpose for forming characters، and a conformation for their identity and existence. This research sheds light on setting in SaharKhalife's novels، its role in personifying the Palestinian reality، and studying its importance in the life of the Palestinian character، in addition to showing the role of description in projecting its indicative features and dimensions.
This research highlights the most recognizable basics of Sibaweih's methodology in his book. Altogether, they are not different from the modern descriptive approach. Sibaweih appears in the first Arabic Linguistics Encyclopaedia, in a way that presen
ts the righteousness of his pioneering methodology, as is apparent in the three linguistic levels of: Phonology, Morphology and Syntax.
We have traced the method he followed to treat the linguistic phenomena, which in all its forms constitute a constellation of semantic and intellectual operations based on all aspects of this phenomenon, next to the realistic principles that he relied on to achieve his goal. Themselves are the principles that gained circulation in the West later on; as follows: listening; language and speech; spoken and written language; unity of time and place; induction; and categorization.
This study shows Lubaid s vision – as a poet – for
time and place . It talks about Lubaid s point of view
for these two words. Though , we all agree that time
and place have an argumentative effect in the whole
poetry in all ages . So , if we have an analytic view
apart of the historical approach which contributes
Lubaid just as a poet but not a genius .
This research is composed of two parts: The first is theoretical and separates the
saying from the subjectification idiom with its considerable presence in criticism
surrounding the immigration space. It also explains the marks and impressions whic
h make
difference between it and the factual and artistic space. The second one is applicable. It
takes to pieces the image of Cairo Al Muiz in the journey of Al Abdari, considered as
subjectified image and also observes its subjectification move and the effective elements in
it. Its most significant result is that the immigration space has its own distinguished
character as a subjectified space that lies in moderate position between the factual and
artistic space, and expresses the age of journey, its culture, situations, emotions and also
effect of space and period in it. Cairo in Al Abdari text which has lost both its historical
sacred distance and has changed into a dismissing frightening space that it explained Al
Abdari age, its believing ideal and national enthusiasm, its desolation and estrangement of
the civilian form and its intimate tie to the space of the ego=mother space=his village
Haha.
