This research gives special attention to the term critical and is considered as a
relationship of interaction. Change and creation. It is an intellectual. Cultural. Social
and concept that has a close relationship with Arab culture as its original
inspiration.
The research will select a specific term which is creative. It will examine the
linguistic forms that crystallize the creative term. The inventor. The generator and
the creative. These concepts are revolving in its orbit. forming differentiated.
Interdependent and compatible contexts without any controversy. The light of its
narrow framework. Ie. Its lexical significance to be studied considering the
relationship between diverse knowledge in its formation. The research will
monitor the concept in the context of the most important monetary issues that
intersected with it. Creativity is a phase of transition between two technical
doctrines in Arabic literature .Vkrien are the say old and the updated mind finite to
determine the cultural value of the term between being too and a way that is both
together.
In this research I studied structural concepts , and how to move into the Arabic
cultural field. I defined these concepts, and the most important people who founded it and
contributed to its construction as a structural approach . Then I traced the
ways that
brought it to the modern Arabic criticism .And the role of competency in the process of
vulnerability and influence. Perhaps the practical steps I have taken has made the structural
approach take its obvious features in our Arabic criticism. This research is presented in
detail by the structural critic Kamal Abu Dib , through his structural applications. And
because it is impossible to take note of all structural aspects that resembled the archipelago
to look up from the top, I tried to study structuralism as a way of thinking and literary
criticism. In particular ,structuralism seeks to discover the relationship between the literary
system ( the text ) and the culture , that the text part of it.
