The presence of place had a distinctive position in the stream of consciousness that
made it able to show and rise the humanbeing's problems precisely and frankly from many
different views. Probably. The most important problem is making the emotion
al
relationship eminent and this what relates the human being to the place and the effect of
that on turning the relation of the human being with the place into a mutual one that made
the perception of the place nourish the emotion and vice versa and within this concept,
that mutual relationship has uncovered the depth of the gap between two worlds which
neither of them belongs to the other and they are the inner world and the outer one clearing
the self-crisis in its searching for domestic place or in its wish to escape from frightful
place to a safer one and because the awareness has no limits in the pre-speaking levels, the
confused human thoughts and intelligence have accompanied his constant searching for the
place and his dream in achieving his belonging goal.
This research is based on the study of sciences upon which Mohammed Moftaah's
methodology depends as a source of cognitive and tributary, which is outside the scope
of literary criticism; and that is through the access to the structure of this meth
odology
and analyze its scientific composition. The intended aim of this research is the access to
the most important pillars of the Epistemology of this critic, and the detection of an
important aspect in the critical construction which has not been studied yet. These sciences
are: logic, mathematics, geometry, physics, biology, sociology, and information
technologies.
The methodology of this research is based on the extraction of the practical and the
theoretical science that Moftaah has. and then making it an apparent and theorized
substance , which says That Moftaah has succeeded at some of these sciences such as, ,
biology, Geometry, and some of them is based on formalism such as, mathematics,
information technologies.
The plurality of symbols forms in consciousness current
story and their repetition form the most important goals that the
research seek through to keep up with thoughts movement and
their pandemonium deep inside the human mind
This research is based on deconstructing the mechanism of the hidden system of term, in its analytical applications on the two modes (virility / femininity) in Al-Ghathami's cultural criticism. In order to reveal the problems of this monetary term th
at those concerned with cultural criticism in general, or criticism of Al-Ghathami's production in particular. They are problems that can be classified into three types. The first is the paradox / contradiction, which is when there are two texts of Al- Ghathami in one subject, and they are opposite or contradictory, i.e. transcribing one another. The second problem is the problem of play, and it is the text that carries another reading other than the reading of food, which the recipient can memorize through the tools of cultural criticism and its mechanisms themselves. The third type is the problem of sin, which is the text that carries a critical connotation that contradicts and abolishes the cultural criticism mechanism.
رموز الواقع وفن القصّ في القصة القصيرة العربية ( التجليات والتشكيل الفني ) القاص دريد يحيى الخواجة أنموذجاً
