شكّل الجمع بين الخطابة و الشعر ظاهرة بارزة عند الشعراء الخوارج في العصر الأمويّ, فظهرت آثارها في شعرهم, الذي اتّسم بخطابيّة واضحة. و من أبرز هؤلاء الشعراء الخوارج؛ قطريّ بن الفجاءة إمام الأزارقة و خطيبهم و شاعرهم, الذي جاء شعره موشّحاً بالحجاج, و أساليب الإقناع؛ من شرح و تفصيل إلى تحسين و تقبيح. و يتخلّل ذلك كلّه اقتباس قرآنيّ أفاد منه في ترسيخ حجّته و تقوية إقناعه.
و قد عمد قطريّ إلى أسلوب المقابلة التصويريّة سواء على مستوى البيت الواحد أو على مستوى القصيدة كاملة, و قد أفاد منه في إعادة الجانب التخييليّ إلى شعره, و التخفيف من طغيان النزعة الخطابيّة عليه, فضلاً عمّا يحقّقه هذا الأسلوب من مراوحة بين المعاني الشعريّة و المعاني الخطابيّة, ليحقق بذلك راحة للنفس, يضمَن من خلالها حسن الإجابة.
The combination of the rhetoric and poetry formed a prominent phenomenon at the
dissenter poets in the Umayyad era, so their effects showed in their poetry which was
characterized with a clear rhetoric. One of the most prominent dissenter poets is Qatari Bn
Al-Fojaa; imam Al-Azarika and their orator and poet whose poetry come enveloped with
evidences and the methods of convincing between explanation and detailing to
improvement and disfigurement. Everything is intervened by Koranic quotes which help to
stabilize the cogency and the strengthening of its persuasion.
Qatari tend to use the method of the scenic Moqabala whether on the level of the
single verse or on the level of the whole poem. This helps to return the imaginative side to
his poetry and the lessening of the domination of the rhetorical tendency on it, as well as
what this style achieves in marking time between the poetic meanings and rhetorical
meanings to get the self-comfort which guarantees the perfection of the respond.
References used
عباس, د. إحسان. شعر الخوارج. جمع و تقديم: بيروت: دار الثقافة, ط2, 1974.
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This study is concerned with disclosure of the whereabouts of the
ideal recipient in the famous Umayyad opposites between Farazdaq
and Greer and Akhtal.
The research deals with the aesthetics of the artistic image in the
prose text of the Umayyad period and how did it add more poetry to
prose;
This is because of the large number of images analogous and
metaphorical and canonical.
This research deals with the phenomenon of combining rhetoric and poetry at a number of the Gahleon, and the statement of the effect of this combining in their poetry, explaining through the issue of conflict of prestige betweenthe orator and the poe
The study deals with the aesthetics of poetic language as the most
prominent object of the literary interplay in the prose text of the
writers, preachers and apostles of the Umayyad period.