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Register a new userCombining between rhetoric and poetry at the Gahleon and its impact on poetry
الجمع بين الخطابة و الشعر عند الجاهليّين و أثره في أشعارهم
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يتناول البحث ظاهرة الجمع بين الخطابة و الشعر عند عدد من الجاهليّين, و بيان أثر هذا الجمع في أشعارهم, عارضاً ذلك من خلال قضيّة تنازع المكانة بين الخطيب و الشاعر في العصر الجاهليّ, و كيف سوّي هذا التنازع لدى من جمع بين الفنّين. كذلك يبيّن البحث سبب قلّة هؤلاء الذين جمعوا بين الخطابة و الشعر و أجادوا فيهما. أمّا أثر الجمع في الشعر, فيتناوله البحث على مستويين: المستوى المضمونيّ (المعنويّ): و يظهر فيه السعي نحو الإفهام, و التركيز على الفِكَر و الموضوعات و كثرة الحكم و الوصايا. في حين يظهر في المستوى الأسلوبيّ التكرار بأشكاله جميعها: تكرار الأحرف, تكرار الألفاظ, تكرار الأساليب.
This research deals with the phenomenon of combining rhetoric and poetry at a number of the Gahleon, and the statement of the effect of this combining in their poetry, explaining through the issue of conflict of prestige betweenthe orator and the poet in pre-Islamic era, and how this conflict has been compromised between who combined the technocracy, as the research shows the reason oflack of those who gathered between technocracy. The effect of combining in poetry is dealt with research on two levels: the stylistic level, and shows all forms of repetition: repeating letters, words and methods. While appears in the substantive level (moral): the pursuit of incomprehensible, the concentration on thinking and subjects, and the large number of wisdom and wills.
References used
حسين, د.طه. في الشعر الجاهلي. مطبعة القاهرة: دار الكتب المصريّة, ط 1 , 1926
السويدي, د.سلامة عبد الله. شعر قبيلة ذبيان في الجاهليّة. مطبوعات جامعة قطر, ط 1 , 1987
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The study was built on pursuing opinions of some
contemporary researchers , then samples of the old critics' attitudes were
displayed , it is two parts . The first part included two different trends of
texts one of them is that on which the contem
porary researchers have
relied in an attempt to prove the old critics were fanatic and the other
displayed several criticism texts of each old critic showing their positive
critical attitudes towards the innovated poetry. The second part includes
critical texts representing the critics' opinions from the end of the second
century of Hegira until termination the dealing with the innovation in the
Abbaside poetry issue.
This paper is concerned mainly with an unprecedented phenomenon,
which deserves more examination and analysis: it is the Fatimid writers’
tendency toward finding a the interrelation between poetry and prose, and
showing how far their memorization
of poetry and prose effects the
emergence of this phenomenon. Therefore, this paper attempts at
unraveling three important aspects: first, identifying the concept, the
beginnings of the interrelation; second, the genres of the interaction
between a poem and a letter; third, the leitmotivs of the interrelation
between a poem and a letter in the writings of Fatimid writers.
The combination of the rhetoric and poetry formed a prominent phenomenon at the
dissenter poets in the Umayyad era, so their effects showed in their poetry which was
characterized with a clear rhetoric. One of the most prominent dissenter poets is
Qatari Bn
Al-Fojaa; imam Al-Azarika and their orator and poet whose poetry come enveloped with
evidences and the methods of convincing between explanation and detailing to
improvement and disfigurement. Everything is intervened by Koranic quotes which help to
stabilize the cogency and the strengthening of its persuasion.
Qatari tend to use the method of the scenic Moqabala whether on the level of the
single verse or on the level of the whole poem. This helps to return the imaginative side to
his poetry and the lessening of the domination of the rhetorical tendency on it, as well as
what this style achieves in marking time between the poetic meanings and rhetorical
meanings to get the self-comfort which guarantees the perfection of the respond.
Description is one of the most important elements of poems and poetry, because of its presence in all poetic purposes. It depicts the reality of Arab poetry and is not limited to drawing shapes, but it accounts for their existence. It is measured by
the standards of beauty and precision, and the ability to suggest, depict and search in imagination.
Poet kings and leaders are abundant in giving consecutive images of the description subjects. Those images, or depictions, are taken from the environment, so they described manifestations of nature and the universe around them. Therefore, the description came as a manifestation of their passion for the homeland, and pride in the beautiful nature. It also came as an embracing of the joys of life, and as a depiction of their feelings and the harsh experience they have suffered inside the prison, including the features, the feelings and attitudes worthy of attention.
This study investigates the poems of kings and leaders which were descriptive. Some of them are elongated descriptions where they composed long descriptive poems, such as those on the manifestations of silent nature, a subject endearing to them. It was so because this subject motivated them to spontaneously and fluently compose poems on the bright nature of Andalusia, and the tender personality of the Andalusian which was eager to the manifestations of beauty. On the other hand, there was another kind of description, which was swift and suggestive.
On a different scale, we will portray in detail their experience in the darkness of the prison. We will follow the features of the general image of the prison, through our treatment of partial images drawn by each individual poet in different positions.
This research is based on the study of metaphor and its impact in Arabic language,
and we have begun our work identifying the concept of metaphor linguistically and
idiomatically, then we indicated its multiple divisions that we have found mentally
, and
linguistically divided into metaphor, and expedite metaphor, then we moved to talk about
its impact on the language, which manifests itself into two types: direct rhetorical, and
indirect linguistic as a factor of linguistic expansion through its contribution to the
formation of semantic relations, in addition to its role in the semantic evolution of the
language words and their meanings to cope with the requirements and developments of
life, by addressing some examples on the base of mentioning but not limitation, and we
studied some words analytically showing the effect of metaphor on their development, and
how we currently use them, then comes the findings of the research.
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