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Register a new userThe Control of Ideal Receiver on the poems In the Umayyad period
سُلطةُ المتلقّي المثالي على الشّعر في العصر الأمويّ
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Aِl-Baath University ورقة بحثية
Publication date
2016
fields
Arabic
and research's language is
العربية
Created by
Shamra Editor
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تُعنى هذه الدّراسة بالكشف عن مواطن تمركز المتلقّي المثاليّ في النّقائض الأمويّة الشّهيرة بين الفرزدق و جرير و الأخطل، و قد اقتصرت على الحديث عن المتلقّي المثاليّ تماشياً مع حجم البحث المسموح به، لاسيّما أنّ الحديث عن أيِّ نمط من أنماط المتلقِّي يحتاج إلى عشرين صفحة بين التنظير و التطبيق على أقلّ تقدير، لكنني وضعت فقرة بعنوان: (المصطلحات العلمية والتعريفات الإجرائية)، وضّحتُ فيها أنماط المتلقّي عامّة، و بيّنتْ هذه الدراسة في نتائجها أن تراثنا الشعريّ القديم غنيٌّ، حيويّ، ثرٌّ، و قابلٌ لتطبيق المناهج النقدية الحديثة عليه.
This study is concerned with disclosure of the whereabouts of the ideal recipient in the famous Umayyad opposites between Farazdaq and Greer and Akhtal.
References used
جمعة، حسين، 2003 م- المسبار في النقد الأدبيّ (دراسة في نقد النّقد للأدب القديم و للتّناصّ ). منشورات اتّحاد الكُتّاب العرب، دمشق.
سويف، مصطفى، 1951 م- الأسس النّفسية للإبداع الفنّيّ في الشّعر خاصّة. دار المعارف، مصر.
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The combination of the rhetoric and poetry formed a prominent phenomenon at the
dissenter poets in the Umayyad era, so their effects showed in their poetry which was
characterized with a clear rhetoric. One of the most prominent dissenter poets is
Qatari Bn
Al-Fojaa; imam Al-Azarika and their orator and poet whose poetry come enveloped with
evidences and the methods of convincing between explanation and detailing to
improvement and disfigurement. Everything is intervened by Koranic quotes which help to
stabilize the cogency and the strengthening of its persuasion.
Qatari tend to use the method of the scenic Moqabala whether on the level of the
single verse or on the level of the whole poem. This helps to return the imaginative side to
his poetry and the lessening of the domination of the rhetorical tendency on it, as well as
what this style achieves in marking time between the poetic meanings and rhetorical
meanings to get the self-comfort which guarantees the perfection of the respond.
The research deals with the aesthetics of the artistic image in the
prose text of the Umayyad period and how did it add more poetry to
prose;
This is because of the large number of images analogous and
metaphorical and canonical.
The study deals with the aesthetics of poetic language as the most
prominent object of the literary interplay in the prose text of the
writers, preachers and apostles of the Umayyad period.
This research aims at handling the images of natural setting manifested in the Umayyad poetry , especially those reflected throughout the political and social changes of that era, leaving an obvious effect on the poet himself and subsequently on his
creative production and formation of the natural setting . For the poet would take his material out of the static realities of the natural setting, being the setting that has remained intact out of man's hand and formation – which includes deserts , mountains , scenery and rivers … etc – The poet then modefies an image of the natural setting using his imagination in accordance to his sights and mentality .
The Umayyad state has raised on a basic support represented by Arab discrimination
. In time the prospect of the Islamic call has expended . The Arab Islamic world parties
have expended to include Arabs and non Arabs of different races . the suppor
ters have
become as second center in the literary status and the social treatment on both . The
political parties have noticed that there is a type of a complaint of the supporter so they
attracted them to it . This discrimination has extended to include the Arabs themselves so
they sided with the tribe bloc and persecuted others . The conflict has been between Arabs
and non Arabs and between Arabs themselves Yemen and Al-Qaysiyah,This was one of
the reasons for the deterioration of the Umayyad state and its fall .
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