Murals are one of the techniques of delineation, which was influenced by Hantine
and Sassanian in fluencies. They been their independence in the Umayyad period to
maturity in the Abbasid era.
The Levant was one of the centers of creativity for the
se drawings implemented
in a mosaic and frisco. The drawing are important documents in history,arecord of daily
life and evidence of settlement.to know the properties of the wall paintings, it is necessary
to study the drawings which were implemented in the mosaic and in Frisco. There fore, the
focus was on important bulding that included the drawing in mosaic such as the Dome the
Rock and theUmayyad mosquen and the khirbat al-mfjar palace. And the drawing in frisco
such as Omra palase and palase of western Hier.
Before the appearance of the Islamic state,the Arabs didn,t know
the organization or the right concept of administration.Also,the new
religion which was known by prophet Mohammad(peace by upon
him)was the first step for the administrative system i
n the Arabic
country.But this system was simple,rudimentary and proportional to
the new born Arabic country.After that,the righteous caliphs time
has evolved according to the requirements of public interest of the
country until it reach to the top of its development,and flourish in
theUmayyad period.However,after the transmission of the authority
to theUmayyads after they confound the other cultured people and
be affected by their politic and administration systems ,they
developed this system .So ,after they created and invented ,they put
bases for the administrative organization which became equal to
administration systems which was known to theRoman and
Persians.
This research aims at handling the images of natural setting manifested in the Umayyad poetry , especially those reflected throughout the political and social changes of that era, leaving an obvious effect on the poet himself and subsequently on his
creative production and formation of the natural setting . For the poet would take his material out of the static realities of the natural setting, being the setting that has remained intact out of man's hand and formation – which includes deserts , mountains , scenery and rivers … etc – The poet then modefies an image of the natural setting using his imagination in accordance to his sights and mentality .
This study is concerned with disclosure of the whereabouts of the
ideal recipient in the famous Umayyad opposites between Farazdaq
and Greer and Akhtal.
يحدد هذا البحث فرضه العلمي، و رؤيته النقدية، فيرى أن الشعراء لا يصورون العالم الخارجي كما هو، بل يصورون علاقتهم به، و موقفهم منه، و لذلك يضيفون إلى هذا العالم عناصر عاطفية و عقلية و خيالية و فنية. و يطبق هذه الرؤية لاختبار فرضه العلمي (عدم تصوير العا
لم الخارجي كما هو...) على موضوع "القطا" في نماذج من شعر صدر الإسلام و العصر الأموي، فيعرض هذه النماذج و يحللها في ثلاثة سياقات:
1- سياق الحب و الغزل. 2- سياق الرحلة. 3- سياق الصيد.
و قد أظهر البحث صحة فرضه العلمي المذكور، و تبين من تحليل النصوص
الشعرية أن الشعراء وظفوا "القطا" فنيًا للتعبير عن أحاسيسهم و مشاعرهم، و تصورهم للكون و نواميسه. و بذلك كانت طيور "القطا" التي أحسنوا تصوير أطراف واسعة من حياتها وسيلة فنية للتعبير عن ذواتهم و رؤاهم و تصوراتهم.
