The setting in novels has captured the novelists' attention in the contemporary literary world. It was considered the link between elements of the novel. It is، after all، the setting of the events، the substantial scope in which characters move and
where all conflicts take place. Thus، the setting، with its different types، has preoccupied modern studies which examined the relation between the setting and the narrative elements، especially the character. Studies have preserved to reflect the relation between setting and character and the effect this relation has on forming the setting and giving it specific characteristics depending upon the case and the reality of the Palestinian movement. This relation between setting and character has acquired much importance due to the mutual relation between the two، to the extent that setting، in some novels، has become a basis for the events، a purpose for forming characters، and a conformation for their identity and existence. This research sheds light on setting in SaharKhalife's novels، its role in personifying the Palestinian reality، and studying its importance in the life of the Palestinian character، in addition to showing the role of description in projecting its indicative features and dimensions.
Description is one of the most important elements of poems and poetry, because of its presence in all poetic purposes. It depicts the reality of Arab poetry and is not limited to drawing shapes, but it accounts for their existence. It is measured by
the standards of beauty and precision, and the ability to suggest, depict and search in imagination.
Poet kings and leaders are abundant in giving consecutive images of the description subjects. Those images, or depictions, are taken from the environment, so they described manifestations of nature and the universe around them. Therefore, the description came as a manifestation of their passion for the homeland, and pride in the beautiful nature. It also came as an embracing of the joys of life, and as a depiction of their feelings and the harsh experience they have suffered inside the prison, including the features, the feelings and attitudes worthy of attention.
This study investigates the poems of kings and leaders which were descriptive. Some of them are elongated descriptions where they composed long descriptive poems, such as those on the manifestations of silent nature, a subject endearing to them. It was so because this subject motivated them to spontaneously and fluently compose poems on the bright nature of Andalusia, and the tender personality of the Andalusian which was eager to the manifestations of beauty. On the other hand, there was another kind of description, which was swift and suggestive.
On a different scale, we will portray in detail their experience in the darkness of the prison. We will follow the features of the general image of the prison, through our treatment of partial images drawn by each individual poet in different positions.
This article is aimed at identifying descriptive letters and their genres of Imaduldeen
Al-Asfahani - a poet and one of the greatest men of letters who had knowledge of both
Arabic and Persian cultures in the 6th Century Hegira - as well as studyin
g descriptive
letters objectively and artistically, and revealing their role in describing the Islamic
Community in the 6th Century Hegira, this article is also discussing the topics included in
descriptive letters such as, the descriptions of the actions of the Sultan, cities, nature, life,
the Roman and their traditions, epidemics, disasters, etc. so, this article is focusing on
studying descriptive letters and their genres, and valuing the role they played in describing
all aspects of life in that century.
The research deals with the aesthetics of the artistic image in the
prose text of the Umayyad period and how did it add more poetry to
prose;
This is because of the large number of images analogous and
metaphorical and canonical.
