The study deals with the aesthetics of poetic language as the most
prominent object of the literary interplay in the prose text of the
writers, preachers and apostles of the Umayyad period.
The metaphor is considered a deviation from the truth and this deviation does
not mean breaking out of it, it is the conjunction of the sign with the signifier in
a route that deviates from the truth and exceeds eloquence on it.
The entire Arabic
language moves within the framework of truth and
metaphor, thus, gaining new flexibility and relations which could not be
acceptable in the door of the truth without the metaphor. The metaphor
approaches the language using the brevity approach and keep it away from the
stuffing and undesirable prolonging.The semantic transformation acquired by
language by metaphorical relationships is considered a reduced energy
confirming the principle of customary union between the sign and the signifier.
The metaphor combines words that cannot be collected, as it takes us from
the meaning of the word on the meaning to the meaning of meaning on a
broader meaning, then we move from small meaning spaces to large areas, and
the advantage of metaphor in the language does not depend on that only, as his
relationship also revolves in the orbit of brevity and contribute to maintain the
integrity of poetic weight and legislate thecollection in places that require
individual and vice versa,as well as other characteristics and features shown
through discussion in the core of the research.
