يتناول البحث جماليات الصورة الفنية في النص النثري في العصر الأموي و كيف أضفت مزيدا من الشعرية على النثر, و ذلك لما فيه من كثرة الصور التشبيهية و الاستعارية و الكنائية.
The research deals with the aesthetics of the artistic image in the
prose text of the Umayyad period and how did it add more poetry to
prose;
This is because of the large number of images analogous and
metaphorical and canonical.
References used
Aben Roshd : talkhis alkhtabe , T.h Abd Rahman badw , dar alkalam , Beirut , Lebanon , 1959
Badaw , Ahmad : Aoss alnakd aladabe end arab , mattbat nahdt mser , alfahjla , T.1 , 1958
Albostanie , Sobhe : Alsors alsheria , dar alfekr allubnane , T.1 , 1986
The study deals with the aesthetics of poetic language as the most
prominent object of the literary interplay in the prose text of the
writers, preachers and apostles of the Umayyad period.
The Umayyad state has raised on a basic support represented by Arab discrimination
. In time the prospect of the Islamic call has expended . The Arab Islamic world parties
have expended to include Arabs and non Arabs of different races . the suppor
Before the appearance of the Islamic state,the Arabs didn,t know
the organization or the right concept of administration.Also,the new
religion which was known by prophet Mohammad(peace by upon
him)was the first step for the administrative system i
This study is concerned with disclosure of the whereabouts of the
ideal recipient in the famous Umayyad opposites between Farazdaq
and Greer and Akhtal.
The combination of the rhetoric and poetry formed a prominent phenomenon at the
dissenter poets in the Umayyad era, so their effects showed in their poetry which was
characterized with a clear rhetoric. One of the most prominent dissenter poets is