Blindness factor in the poetry of Bashar Bin Bord Abstract of Thesis

The thesis tends to study of (Blindness factor in the poetry of Bashar Bin Bord), in an effort to rehabilitation of the poetic phenomenon which was tarnished through much of the social and historical details, and this means that the thesis won't be seeking for collecting the information spread in the books and references about Bashar, unless that shed light on the information intended to be focused, which is the deformity factor (blindness) in the poetry of Bashar groping the diction methods that he followed to convey his are, and reveal the locution and artistic phenomena inn his poetry. Further, the thesis raises a bunch of questions, even though it won't be able to answer all of them, as this requires a bigger space not available in this small research, and needs a bigger devotion and effort. Out of these questions: what is the difference between the born blind, blind and night- blind? what is the proper wording to express the deformity of Bashar? And the more important question: how could the blind, Bashar, depict a world that he had never seen, whereas his eye, i.e., his photographing camera? Then, what are the other senses that he developed and depended on as alternatives to depict the outside world? What is the nature of the sensational depiction in his verse? Then, what is the scope of reflection and effect of blindness on his character, poetry and some of his subjects?

The Structure of knowledge in Ibn Hadad Al Andalusy's Poetry

This research presents a study about the Structure of knowledge in Ibn Hadad Al Andalusy's poetry, he is one of the most prominent poets in Andalusia. The poetry is a linguistic structure that depends on two things: knowledge and Art.

The Alienation Phenomenon in Manjak's Poetry

The prominence of the subjective aspect in Prince Manjak's poetry has made him by far one of the most renowned poets of the Ottoman Period. This aspect is well and fully exemplified by his poetry of alienation. His alienation manifests itself in three dimensions: 1. Conscious alienation that penetrates deep into the personal obsessions vis-à-vis the suffering of staying and itinerancy, the bitterness of deprivation and failure; 2. Temporal (Time) alienation, incorporated in the absence of spiritual, social and moral communication with others, following his consciousness of departure from his period deepens; and 3. Spatial (Place) alienation, as a result of his life turning into a muddle of anxiety, confusion and instability. However, the poet then strives to overcome his alienation and compensate for his estrangement and deprivation through recalling the past, celebrating himself, evoking legacy, and sticking to faith. To achieve that end, he uses, as a vehicle, his distinctive language that speaks out his emotional experience and individual ability to pick up the exact, most felicitous term. Therefore, his poetry is seen to be rich in everlasting artistic portraits –portraits expressive of a conscious self that transcends reality to embrace the contradictions of existence, and subsequently looks forward to a new world, alive with all that is pleasant, fair and noble.

Forms of Expressing Denotations of Self- Disunity and Absence inMahmoud Darwish's poetry

In the poetry of Mahmoud Darwish, self-disunity and absence acquired deeper and wider horizons because they represent part of his real life. This study discusses the denotations of self-disunity and absence starting from his first Diwan “Olive Leaves” published in 1964 and ending with his last Diwan “the Butterfly Effect” published in 2008. Darwish expressed his self-disunity and absence in several forms. We focus in this study on six, and they are: Deletion, fragmentation, shifting, the frequent negating, combining antonyms, and words substitution.

Interrelation between Prose and Poetry in Fatimid Writers

This paper is concerned mainly with an unprecedented phenomenon, which deserves more examination and analysis: it is the Fatimid writers’ tendency toward finding a the interrelation between poetry and prose, and showing how far their memorization of poetry and prose effects the emergence of this phenomenon. Therefore, this paper attempts at unraveling three important aspects: first, identifying the concept, the beginnings of the interrelation; second, the genres of the interaction between a poem and a letter; third, the leitmotivs of the interrelation between a poem and a letter in the writings of Fatimid writers.

The Tale in The Poetry of Yahya Bin Alhakam Alghazal

This research studies an important aspect in the poetry of Yahya Bin Alhakam Alghazal, one of the most brilliant poets in the Andalusia literature. This research discusses: - Subjects of the tale in the poetry of Alghazal. - The main artistic elements in his poetry. The subjects in the tale revolve about the poet's experience and his own life and the things in his community. The tale in his poetry depends on dialogue, simple action, satire, and folk language. This poetic tale found approval from all the people in its own time because it depends on simplicity and discusses daily problems like bribery, justice and hypocrisy These cases are very important that Alghazal had studied in his poems.

Oriental Influence in the Poetry of the Andalusian Poet Ibn Khafaja

This research depends on one main idea: it is the influence of oriental Arab literature on Andalusi Literature. This idea has been shown with an Arabic poet Ibn Khafaja, who seems very influenced by Arabic poems in the East (Iraq & Cham). It seems that this poet declared that he followed specified steps of other poets, sometimes he was influenced indirectly, and that is what this research is going to clear.

Criticizeability of a Classical Critical Text

The current research criticizes a classical critical text that appeared in (The Book of Al- Aghani) with two supportive clues: it is reflection to (Musa’b Ibn Abdullah al-Zubeiri), in which it handles the poetry of (Umar Ibn Abi Rabiaa) and highlights his position among contemporaries and peers. This research describes (Musa’b’s) text: it discloses the style, analyses the constituents, interprets the critical terms and viewpoints, tends to pursue the implications through scrutinizing the proposed poetical coexistences, up towards conceptualizing the emerging critical insight-being a critical insight that represents a creative approach within the critical thinking of Arabs. This is due to that the fact that Musa’b’s legacy stands as the primordial classical critical Arabic text that encompasses the receptor’s viewpoint in the comprehensive intuitive experience. Nonetheless, it does not consider the influential impressionistic rules that had been concurrent at that age sufficient, neither finds it efficient to have one, two or three lines of verse to pinpoint its viewpoints, as had been the custom. Rather, it studies the wholesome of Omar’s literary production (Umar’s Anthology) being one single text in which he pours his expertise, thoughtfully penetrates its essence in an attempt to uncover the secrets distinguishability, excellence over its contemporary texts. Therefore, it stands as the first critical Arabic text that examines the (stylistic uniqueness) that characterizes an outstanding creative figure via the creatorreceptor interaction over the domain of the text.

The poem introduction in Al-Mutanabbi's Poetry

Al-Mutanabbi, as we all know, is a poet who filled the world with poetry providing a tale and reflecting the sublimity of creation and art.He is still like a torrential spring from which scholars drinkn to quench the thierdt of their pens in search of his creative works, trying to reveal the secret of that creation which involves inventive psychological feelings that made him form his poetry with wonderful aesthetic artistry, something which, gave Arabic a particular dealing with the word use which, perhaps, is almost unique to Al- Mutanabbi so that this creation which remained constanly with him till he became famous for it as if it had been his identification card he held. No sooner does ascholar read that language than he sees Al-Mutanabbi's ID Card which has later became the ID card of Arabic poetry, affecting its advance and restrationcreativey, aristically and intellectually throughout ages and history.

The Narration Telling In The Poetry Of Andalus‘s poetry " Al-Twaef" Age for Instants

This research studies the elements of "story telling" in the Andalus‘s poetry in " al-Twaef " age in. Some poets tended to display in their poems some elements of the art of storytelling. They narrated their adventures and certain incidents that faced them. However some made used of some elements, though in incomplete way. Some did concentrate on certain elements more than others. This would be the area the present research aims to explore. The research will deal with the diverse, relationships that exist among these elements, and their dependence on each other. This will be done through the study of some poetical samples. The method will be analytical that endeavours to explain the structure of the poetical stories.