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Register a new userOriental Influence in the Poetry of the Andalusian Poet Ibn Khafaja
الأثر المشرقي في شعر ابن خفاجة الأندلسي
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حنان إسماعيل أحمد عمايرة( باحث )
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ينطلق هذا البحث من فكرة تأثر الأدب الأندلسي بنظيره المشرقي، و ذلك من خلال الشاعر الأندلسي ابن خفاجة، الذي يبدو في شعره تأثير مشرقي واضح، بعضه مصرح به من قبل الشاعر نفسه، و الآخر ضمني أملته الثقافة المشرقية. و ما كان من أمر الإعجاب بها من قبل شعراء الأندلس و أدبائها عامةً. و يتناول البحث الأغراض و المعاني و الأساليب التي جاءت في ديوان ابن خفاجة، في سعي نحو معرفة الملامح المشرقية فيها، و كان من منهجية هذا البحث الانطلاق من خطبة ديوان الشاعر التي صرح بها بذكره لشعراء حاكاهم ابن خفاجة في شعره، و من ثم البحث عن آثار مشرقية أخرى عند شعراء لم يصرح بهم، ممن كانت لهم بصمات واضحة في شعره.
This research depends on one main idea: it is the influence of oriental Arab literature on Andalusi Literature. This idea has been shown with an Arabic poet Ibn Khafaja, who seems very influenced by Arabic poems in the East (Iraq & Cham). It seems that this poet declared that he followed specified steps of other poets, sometimes he was influenced indirectly, and that is what this research is going to clear.
References used
الديلمي، مهيار أبو الحسن مهيار بن مرزويه. ديوان مهيار الديلمي. القاهرة: دار . الكتب المصرية، 1925
الصنوبري، أبو بكر أحمد بن محمد بن الحسن الضبي. ديوان الصنوبري. بيروت: . دار الثقافة، 1970
حجاجي، حمدان. باقة من شعر ونثر الحنان ابن خفاجة الأندلسي. باريس، 1983
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This research presents a study about the Structure of knowledge in
Ibn Hadad Al Andalusy's poetry, he is one of the most prominent poets in
Andalusia.
The poetry is a linguistic structure that depends on two things:
knowledge and Art.
We studied in this research in the predicative deletion and what it relates to in Ebn Hani Alandalusi’s poetry, we studied first topics of deletion in predicate, so we started to study the deletion of the enunciative and its implications, then delet
e the verb, and we studied Secondly the deletion of subject and its implications, we started deleting the inchoative, and the object, then with regard to predication, such as deleting adjective and discrimination , and we had enough with some examples to show what required, the controls of the search led us to these limits, depending on a set of more than few of sources and references, the first was explanation of the divan of Ibn Hani, but we have adopted the explanation without the divan as we could not get documented edition, as the explanation contained all of his poems without exception, and characterized by a good scientific investigation and careful organization.
Could art Budaiya to find a prominent place in the media rhetoric belonging to the
artistic statement and meanings, This art was soon later to become an art in itself exists
independently, However, the difficulty of the configuration process and th
e evolution of
the hand, Great development of the long-arts Budaiya after entering the field of rhetoric on
the other hand, This led to the rhetorical differences on the labels of many of these arts, As
well as on the enrollment of some magnificent arts and other arts, as annexation
Epanalepsis to Echoing. Or make the opposite switch kind of the Epanalepsis. And other
confusion in terminology and the complexity of the labels. The Epanalepsis and one of
those arts that revolved around the views rhetorical. It is the art of repetition texture Bdiei,
However, this repetition does not stop at the level of vocabulary words, Nor the characters
and movements, But beyond that to form the most present in the line of poetry rhythmic
and semantic side, This research will talk about those semantic and rhythmic aspects of
this art, And through the application addressed to the poems Andalusian(Ahmad ibn Abd
Rabbo,246-328), That was the rhythms and tonalities export Remember well attended by
it.
The poems of male flirtation formed a great part in the volume of poetry .
There were a lot of motivation that illuminated it's roots , and the most important types of
these motives are the psychological and artistic motives that is represented in
the love of
some poets for slaves and fliratating of them . Some of the poets ran after beauty and
embodying it where ever it was .
The social motive which contributed in pubuLarising and spreading it largely , Among
different groups of Andolesian people . Ibn Al-buni was .
One of the most important poet who devoted most of his poems for that purpose .
Ibn Albuni " is slaves lover " as he was described by people in his time . He talked to us in
his poems " The male " a bout real facts and lived events .
Many sources have urged IbnKhafajah to be so keen on woman, which had so clear
impact on his soul, and this has led him to experience love in a distinctive manner. Those
factors have overlapped with each other to form an integrated fabric, Which ha
s been
overwhelmed by the poet's passionate soul against the harbingers external reality. He hasn't
left his surroundings to escape the deteriorated political and social conditions. However, he
turned toward the depth of his soul, rebelling against those conditions and refusing them.
Throughout his artistic pictures, he has drawn his relation with woman taking from nature
his own distinctive psychological view. Therefore, woman becomes a sensory and merely
concept at the same time. He has started to gift it the most sincere and hottest emotions. So,
it has been crucial to realise the factors that which have shaped the motives of his own
experience with woman and problematic of her existence in in his poetry and his life.
IbnKhafajah's flirtatious experience and his relation with woman are to with factors
connected with political and social conditions that have distinguished his era, and others;
inner, related to his distinctive personality. These factors have helped to shape this
experience for the poet and develop and matur it.
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