In the poetry of Mahmoud Darwish, self-disunity and absence
acquired deeper and wider horizons because they represent part of his real
life. This study discusses the denotations of self-disunity and absence
starting from his first Diwan “Olive Lea
ves” published in 1964 and
ending with his last Diwan “the Butterfly Effect” published in 2008.
Darwish expressed his self-disunity and absence in several forms. We
focus in this study on six, and they are: Deletion, fragmentation, shifting,
the frequent negating, combining antonyms, and words substitution.