The Maqamat art grew up and its limits settled down at Al Badeea Maqamat limits(398 AH), and Al Hariri (516 AH). No one contested that. Thus, their methods represented rules and concept which the Andalusian followed. And their imitation became creati
on and the manufactured imitation increased suggesting the following of the patterns which were themselves an evidence of superiority. Researchers, almost, haven’t got one opinion about the nature of the narration in the Maqamat and its artistic value. Some of them refused it completely: others confirmed it permanently. We notice that the judgement of the opposers and the confirmers tended to generalization. The Maqama is a literary genre which has its own artistic qualities even though its limits interacted with other literary arts. The essay has its importance because it aims at conceiving the Andalusian Maqama limit, and the narrative elements in it, depending on inducting some of the Andalusian Maqama describing and analyzing it.
Saadalla Wannous is considered from the most important seekers for new technical
forms in the Arabic Theatre. This appears through his plays that bear a collection of
modern technical constituents. His early plays had technical structures that gave
them
technical and intellectual dimensions. The plays of the nineties were qualified with new
tincture in both the structure and the meaning. From the technical constituents that formed
this phase in writing the scripts is the narration technique that Wannous entered as a major
structure in his drama, one of which is (Yawm Min Zamanina)
(A Day from our Time) , in which he used diverse narrative techniquesto contributed
in the production of the indicatives and signs and achieved a dramatic integration in the
Play building up.
The research aims to show the intellectual and technical
levels which narration reached in early Islam .
This research depends on combining two opposit poles which
from the ends of bilateral anibody.
The research deals with this issue through her
e ways that
illustrate the method in which antibody diodes clarified :
- Overt presence of the antibody in the bilateral text of the
research .
- Suggestive presence of the antibody in the bilateral text of
the research..
The presence off one bilateral end and hide the
other one between lines
This paper aims at studying the narrative functions of the stack
Chorus in selected English Renaissance plays: Christopher
Marlowe's Dr. Faustus, Thomas Kyd's The Spanish Tragedy, Ben
Jonson's Volpone. This study offers a close reading of the spee
ches
delivered by the Chorus, and shows their narration of the events and
their moral commentaries. This emphasizes their didactic
significance because they sum up the events, interpret the vague
ones and endorse the play's desired message . this paper concludes
that Jonson develops the stock Chorus by having recourse to other
characters who perform this communicative and didactic role. Here
lies Jonson's contribution to this conventional figure.
This research studies the elements of "story telling" in the
Andalus‘s poetry in " al-Twaef " age in. Some poets tended to display
in their poems some elements of the art of storytelling. They narrated
their adventures and certain incidents that f
aced them. However some
made used of some elements, though in incomplete way. Some did
concentrate on certain elements more than others. This would be the
area the present research aims to explore.
The research will deal with the diverse, relationships that exist
among these elements, and their dependence on each other. This will be
done through the study of some poetical samples. The method will be
analytical that endeavours to explain the structure of the poetical
stories.
