This research aims to reveal the extent of the manifestationspsychological alienation among university youth, and the effect of gender, marital status and accommodation on the level of psychological alienation phenomenon. This research was applied on
(110) university students from Tishreen University. To achieve this goal the following tool was used: psychological alienation scale by the researcher after reviewing the previous studies, the scale includes (Normlessness, Powerlessness, Aimlessness, Meaninglessness) dimensions. The results showed thatThe most prevalent manifestations of psychological alienation was normlessness, followed by powerlessness, then aimlessness, and finally meaninglessness. the prevalence of psychological alienation phenomenon among university students is by (57.27%). The results didn't show statistically significant differences between the study sample in the level of psychological alienation phenomenon according to gender, marital status, and accommodation variables.
The importance of this research is the nature of the problem it handles , which is the
phenomenon of Westernization (away from homeland) and its long term that accompanied
the man since ancient times. It is not the product of a particular individua
l, and not the
result of this day and age in particular, but rooted deep in history.
The concept of Westernization is one of the most difficult concepts of what is
shrouded in a lot of confusion and ambiguity due to the multiplicity of areas of use. From
here this research seeks to shed light on the concept of Westernization and observes
subsequent transformations and their implications.
It is proven that the phenomenon of Westernization, as a comprehensive human
phenomenon, is more severe in capitalist societies, a result of what it results of the
tremendous economic development and social change which has led to a stark machine
control and material aspect in humans.
Thus the capitalist system directly contributed to strengthening the feeling of
alienation and Westernization, making it a consumer society that uproots man from his
origin and carries a system that he has nothing to do with it. Individuals, shall be
transferred to the non-conscious group, and the Westernization of the individual case turns
into a general social phenomenon.
It seems that the concept of experimentation in terms of conceptual semantics and conventional meanings is essential, inevitable, due to frequent trading and its prevalence among researchers, specialists and non-specialists in addition to what the co
ncept of diversification in procedural techniques and tools on the one hand, and the maturity of intellectual and ideological dimension, on the other hand, this paper provides an illustrative study of the concept of experimentation from significant linguistic and idiomatic, Through its relationship with its associated concepts such as modernity, authenticity and alienation, for confirming that experimentation is not a concept, and that it is as much a reflection of attitudes or philosophical insights into Existentialism and the aesthetic and historical control the overall creative process.
Aims find dismantling infrastructure formative to see Marcuse cash – analytical, of how the like can be art: imagination- or what he called the new sensitivity – to play in a matter of revolutionizing awareness and the formation of perception. Workin
g tools new knowledge motivation main breeding aesthetic actor, and a new language- to create a new world on the level of thought and reality. In a world possible for a rational civilization technologically advanced, and required by the overall process of the process of production of the necessities, and the policies of capital, and market volatility, and means of Mass communication, and methods of advertising…..etc. that reinforce the foundations of the entire system of control and coordination and domination strips in advance of cash protest, opposition and all of its weapons, and fake awareness, and reduce the internal dimension of culture and thought, and creates countless needs of Pseudomonas. However converts individual selves as a whole, as things to tools running in a huge total productive, derives its raison derter, and the continuation of his, and his strength, and the inclusion of dominance, the productivity of a huge, and productivity than do those of the achievements in the various level of life.
The prominence of the subjective aspect in Prince Manjak's poetry has
made him by far one of the most renowned poets of the Ottoman Period.
This aspect is well and fully exemplified by his poetry of alienation. His
alienation manifests itself in t
hree dimensions:
1. Conscious alienation that penetrates deep into the personal
obsessions vis-à-vis the suffering of staying and itinerancy,
the bitterness of deprivation and failure;
2. Temporal (Time) alienation, incorporated in the absence of
spiritual, social and moral communication with others,
following his consciousness of departure from his period
deepens; and
3. Spatial (Place) alienation, as a result of his life turning into a
muddle of anxiety, confusion and instability.
However, the poet then strives to overcome his alienation and
compensate for his estrangement and deprivation through recalling the
past, celebrating himself, evoking legacy, and sticking to faith. To
achieve that end, he uses, as a vehicle, his distinctive language that
speaks out his emotional experience and individual ability to pick up the
exact, most felicitous term. Therefore, his poetry is seen to be rich in
everlasting artistic portraits –portraits expressive of a conscious self that
transcends reality to embrace the contradictions of existence, and
subsequently looks forward to a new world, alive with all that is pleasant,
fair and noble.
This research attempts to show what has been said, through
discussing the principle of alienation as in language and in term, then as it
to Al-Ma'ri. It concentrates on the aspects of alienation in himself such as
blindness, travelling and the iso
lation of society, and clarify that in his
poetry, then it discusses the objective alienation in poetry as political,
intellectual, cultural, religious, national and social alienation joining it
with place and time.
