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The Alienation Phenomenon in Manjak's Poetry

ظاهرة الاغتراب في شعر منجك

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 Publication date 2012
  fields Arabic
and research's language is العربية
 Created by Shamra Editor




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The prominence of the subjective aspect in Prince Manjak's poetry has made him by far one of the most renowned poets of the Ottoman Period. This aspect is well and fully exemplified by his poetry of alienation. His alienation manifests itself in three dimensions: 1. Conscious alienation that penetrates deep into the personal obsessions vis-à-vis the suffering of staying and itinerancy, the bitterness of deprivation and failure; 2. Temporal (Time) alienation, incorporated in the absence of spiritual, social and moral communication with others, following his consciousness of departure from his period deepens; and 3. Spatial (Place) alienation, as a result of his life turning into a muddle of anxiety, confusion and instability. However, the poet then strives to overcome his alienation and compensate for his estrangement and deprivation through recalling the past, celebrating himself, evoking legacy, and sticking to faith. To achieve that end, he uses, as a vehicle, his distinctive language that speaks out his emotional experience and individual ability to pick up the exact, most felicitous term. Therefore, his poetry is seen to be rich in everlasting artistic portraits –portraits expressive of a conscious self that transcends reality to embrace the contradictions of existence, and subsequently looks forward to a new world, alive with all that is pleasant, fair and noble.


Artificial intelligence review:
Research summary
تتناول هذه الدراسة ظاهرة الاغتراب في شعر الأمير منجك بن محمد بن منجك اليوسفي، أحد أبرز شعراء العصر العثماني. يتميز شعر منجك بالجانب الذاتي العميق، الذي يعكس معاناته الشخصية من الاغتراب بأبعاده الثلاثة: الشعوري، الزماني، والمكاني. يصف الاغتراب الشعوري معاناته النفسية من الحل والترحال ومرارة الحرمان، بينما يعبر الاغتراب الزماني عن شعوره بانعدام التواصل مع الآخرين بعد تعمق وعيه بالافتراق عن عصره. أما الاغتراب المكاني فيظهر في حياته المضطربة وغير المستقرة مادياً ومعنوياً. حاول منجك التغلب على اغترابه من خلال استعادة الماضي والفخر بنفسه واستدعاء التراث والتحلي بالإيمان. تميز شعره بلوحات فنية خالدة تعبر عن ذات واعية مغتربة تطمح إلى عالم جديد مليء بالجمال والنبل.
Critical review
دراسة نقدية: إن الدراسة تقدم تحليلاً عميقاً ومفصلاً لظاهرة الاغتراب في شعر منجك، وتبرز كيف أن الشاعر استطاع أن يعبر عن مشاعره وأفكاره من خلال استخدامه للصور الشعرية والتشبيهات والاستعارات. ومع ذلك، يمكن القول أن الدراسة قد ركزت بشكل كبير على الجانب النفسي للشاعر، وربما كان من المفيد أن تتناول أيضاً السياق التاريخي والاجتماعي الذي عاش فيه منجك وتأثيره على شعره. كما أن التركيز على بعض القصائد دون غيرها قد يقلل من شمولية الدراسة. بشكل عام، تعتبر الدراسة إضافة قيمة للأدب العربي وتساهم في فهم أعمق لشعر منجك وظاهرة الاغتراب في الأدب.
Questions related to the research
  1. ما هي الأبعاد الثلاثة للاغتراب في شعر منجك؟

    الأبعاد الثلاثة للاغتراب في شعر منجك هي: الاغتراب الشعوري، الاغتراب الزماني، والاغتراب المكاني.

  2. كيف حاول منجك التغلب على اغترابه؟

    حاول منجك التغلب على اغترابه من خلال استعادة الماضي والفخر بنفسه واستدعاء التراث والتحلي بالإيمان.

  3. ما هي أبرز المواضيع التي تناولها شعر منجك؟

    أبرز المواضيع التي تناولها شعر منجك هي معاناته الشخصية من الاغتراب بأبعاده الثلاثة، واستعادة الماضي، والفخر بنفسه، واستدعاء التراث، والتحلي بالإيمان.

  4. كيف أثرت حياة منجك الشخصية على شعره؟

    حياة منجك الشخصية أثرت بشكل كبير على شعره، حيث عكس شعره معاناته من الاغتراب الشعوري والزماني والمكاني، وتجلى ذلك في استخدامه للصور الشعرية والتشبيهات والاستعارات للتعبير عن مشاعره وأفكاره.


References used
الأسس النفسية للإبداع الفني في الشعر خاصة، د. مصطفى سويف، دار المعارف، مصر، 1969 م.
إشكالية المكان في النص الأدبي، ياسين النصير، دار الشؤون الثقافية العامة، بغداد، 1986 م.
الاغتراب في الشعر العراقي (مرحلة الرواد)، د. محمد راضي جعفر، اتحاد الكتاب العرب، دمشق، 1999 م.
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