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Register a new userThe Psychological Unity of Pre - Islamic Poetry Text
الوحدة الّنفسيّة للنّصّ الجاهليّ
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يخوض البحث في علاقة العمل الأدبيّ بالعالم الدّاخليّ للشّاعر الجاهليّ إحساساً بانفعالٍ خاصّ ، و يجسّد شعوراً موّحداً ينبثق من داخل النّصّ الشعري ؛ إذ تحمل نصوص جاهليّة كثيرة خيطاً نفسيّاً يجمعها ، و تتمحور حوله إيحاءات الجزئيات النّصّيّة الّنفسيّة ، ما يجعل القارئ أمام وحدة نفسيّة يتفاعل فيها الشّعور مع اللّاشعور ، و تستمدّ هذه الوحدة الّنفسيّة طاقتها من النّظائر المحمّلة بالإيحاءات الانفعالية الّتي تعمّق أفق التّوقّع ، و تجعل المتلقّي منسجماً مع الحالة الشّعوريّة لمبدع النّصّ .
The research in the literary work relationship in the inner world of the pre-Islamic poet is a sense of special emotion and embodies a unified feeling emanating from within the poetic text. Many Jahiliyya texts carry a psychological thread that combines them. , And this psychological unit draws its energy from the isotopes loaded with emotional signals that deepen the horizon of expectation, and make the receiver compatible with the poetic state of the creator of the text.
References used
بنية الإيقاع في الخطاب الشعري ، د. يوسف إسماعيل ، وزارة الثقافة ، دمشق ، ط 1, 2004م.
دراسات في الأدب و النقد ، عيسى فتوح ، اتحاد الكتاب العرب ، دمشق ، 1991
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This paper aims to illustrate the effect of the textual power in the esthetics of the
poetry text, its concepts and the dimension of this effect in the light of psychological
reading of the pre-Islamic poetry. We seek to preeminence the text effect
in the receiver
who uses his psychological tools to find out about the author self, appealing for the tension
power that was assembled by the text of the pre-Islamic poetry, and depending on the
poeticalness of the pre- Islamic figure in order to obtain the esthetics effect that attracts the
receiver and demonstrates the esthetics of the pre-Islamic poetry text and its riches.
The pre-Islamic poetry was not merely an artistic formulation, but it was a position,
thought and expression from the depths of the poet Al-Jahali, in which the da'al floats, and
the meaning falls away, so we get a flexible aesthetic dimension, after it reveals that the
pre-Islamic poetry exceeded and surpassed; Their poems included a special vision of their
mental state.
This research tackles the phenomenon of dialogue in Alhothaliyen
stories presenting reasons for studying it, then it defines a dialogue linguistically and idiomatically.It also highlights its purpose, its relationship to the pillars of the creative
process, and methods in the old rhetorical Arab heritage and modern criticism.
The body of this research is an applied study of the types of
dialogue in lamentation, flirtation and blame stories, and methods
of composing poetry such as (command and negation,
interrogation, question and answer.
The research concludes that the methods for composing a dialogue (switching, conditional, and compositional styles) added a poetic feature to the text and a realistic dimension to the event, and revealed the poet's emotions and his psychological approach toward the event.
Surrender to the actions/deeds of time is one of the most prominent targets revealed by lamentation and flirtation in a dialogue, as there is no point in blaming time
The poetic consciousness of the pre-Islamic period is full of various images of the "hero"
whose heroship exceeds the idea of chivalry further up to an extensive richness denoted by
the the lexicon of "heroicism", as well as by the poetic capturing
of the heroic acts. Thus, a
heroic poetry has emerged to be an example followed by many poets later to assimilate
those heroic values.
Generally speaking, the poet of the pre-islamic period is one of the tribe heroes adapting
values of heroship which have always characterised the pre islamic community.
Accordingly, the concept of the " war hero" has formed the the poetic consciousness in
terms of bravery and strength. So well does the "peace hero" as having been the social hero
representing the values of genorosity, good neighbor, and helping the needy. There are also
many other values which can't be separated in many poems, especially when connected
with collective pride that is often represented by heroes carrying the tribal fanaticism.
The interpretation of my reading art is based on the transition from the direct
meaning in the apparent form to the indirect meaning in the implicit pattern, and verbal
functions, images, and loaded structures are strongly suggestive.
The critics
of pre-Islamic poetry have enriched the old literature, adding to it the
dimensions of literacy, and their interpretations of psychological meanings and profound
semantics, indicating beyond the apparent textual levels, to various explanatory meanings,
gave the textual poetry poetic content another poetry is the receipt.
The interpretations of the critics presented a variety of purposes, based on the
linguistic explanation, and the will of the poet at other times. The opinion of the reader and
his convictions may intervene in this position, but they are interpretations, regardless of
their degree of credibility or persuasion. They presented modern thought and opened up
new texts. Jahili with a different vision.
This research discusses the interpretation of existence by the early Greek philosophers from Thales to Socrates based on the study of the relationship between the unity and multiplicity; and its interpretation in the Greek philosophy. Such interpreta
tion depends on keeping far from the belief that Mythology depended on. Rather, it relies on the mind to seek the reality of this existence that philosophy-from its cradle-held it the basis for seeking reality wherever it exists.
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