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Register a new userInterpretation and Limitations of Projective Reading in the Poetic Poetry Text
التّأويل و حدود القراءة الإسقاطيّة في النّصّ الشّعريّ الجاهليّ
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التّأويل فنّ قرائيّ ، يستند إلى الانتقال من المعنى المباشر في النّسق الظّاهر إلى المعنى غير المباشر في النّسق المضمر ، و يتجلّى في الدّوالّ اللّفظيّة ، و الصّور ، و التّراكيب المحمّلة إيحاءات قويّة . لقد أغنى نقّاد الشّعر الجاهليّ الأدب القديم ؛ بما أضافوا إليه من أبعاد قرائيّة ، و ما تضمّنت تأويلاتهم من معانٍ نفسيّة و دلاليّة عميقة ، مبيّنين ما وراء المستويات النّصّية الظاهرة ، وصولاً إلى دلالات تفسيريّة متنوّعة ، أعطت المضمون النّصّي الشّعريّ الجاهليّ شعريّة أخرى هي شعريّة التّلقّي . قدّمت تأويلات النّقّاد مقاصد متنوّعة ، استناداً إلى الشّرح اللّغويّ حيناً ، و إرادة الشَّاعر حيناً آخر ، و قد يتدخّل في هذا الموقف رأي القارئ و قناعاته ، و لكنّها تأويلات _ أيّاً كانت درجة مصداقيّتها أو إقناعها _ قدّمت فكراً معاصراً ، و فتحت آفاقاً نصّيّة جديدة ، و أوحت بمشروعيّة التّفاعل مع الشّعر الجاهليّ برؤية مختلفة .
The interpretation of my reading art is based on the transition from the direct meaning in the apparent form to the indirect meaning in the implicit pattern, and verbal functions, images, and loaded structures are strongly suggestive. The critics of pre-Islamic poetry have enriched the old literature, adding to it the dimensions of literacy, and their interpretations of psychological meanings and profound semantics, indicating beyond the apparent textual levels, to various explanatory meanings, gave the textual poetry poetic content another poetry is the receipt. The interpretations of the critics presented a variety of purposes, based on the linguistic explanation, and the will of the poet at other times. The opinion of the reader and his convictions may intervene in this position, but they are interpretations, regardless of their degree of credibility or persuasion. They presented modern thought and opened up new texts. Jahili with a different vision.
References used
امرؤ القيس. ديوانه . تحقيق: محمد أبو الفضل إبراهيم ، دار المعارف ، مصر, ط3, 1969
المبارك ، محمد. استقبال النّصّ عند العرب . ط 1 ، المؤسسة العربية للدراسات والنشر ، 1990
الأعرجي ، د. محمد حسين . الصراع بين القديم و الجديد في الشّعر العربي . عصمى للنشر والتوزيع ، القاهرة ، مطبعة الإشعاع ، مصر، ( د. ت ) .
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The poetic consciousness of the pre-Islamic period is full of various images of the "hero"
whose heroship exceeds the idea of chivalry further up to an extensive richness denoted by
the the lexicon of "heroicism", as well as by the poetic capturing
of the heroic acts. Thus, a
heroic poetry has emerged to be an example followed by many poets later to assimilate
those heroic values.
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Accordingly, the concept of the " war hero" has formed the the poetic consciousness in
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with collective pride that is often represented by heroes carrying the tribal fanaticism.
This paper aims to illustrate the effect of the textual power in the esthetics of the
poetry text, its concepts and the dimension of this effect in the light of psychological
reading of the pre-Islamic poetry. We seek to preeminence the text effect
in the receiver
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power that was assembled by the text of the pre-Islamic poetry, and depending on the
poeticalness of the pre- Islamic figure in order to obtain the esthetics effect that attracts the
receiver and demonstrates the esthetics of the pre-Islamic poetry text and its riches.
The pre-Islamic poetry was not merely an artistic formulation, but it was a position,
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the meaning falls away, so we get a flexible aesthetic dimension, after it reveals that the
pre-Islamic poetry exceeded and surpassed; Their poems included a special vision of their
mental state.
The research in the literary work relationship in the inner world of the pre-Islamic
poet is a sense of special emotion and embodies a unified feeling emanating from within
the poetic text. Many Jahiliyya texts carry a psychological thread that com
bines them. ,
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signals that deepen the horizon of expectation, and make the receiver compatible with the
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