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Register a new userDialogue In the stories of the pre- Islamic Poetry of Hothaliyen
الحوار في قصص شعر الهذليين الجاهليّ
1918
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يرصد البحث ظاهرة الحوار في قصص الهذليين, فيعرض أسباب دراستها, ثّم يعرّف الحوار لغةً و اصطلاحاً, و يبرز غايته, و علاقته بأركان العمليّة الإبداعيّة, و أساليبه في التّراث البلاغيّ العربيّ القديم و النقد الحديث. أمّا صلبه فدراسةٌ تطبيقيّةٌ لأنواع الحوار في قصص الرّثاء و الغزل و العذل, و طرائق صوغه شعرا ك (أسلوب الأمر و النّهي, و الاستفهام, و السّؤال و الجواب, و النّداء...). و انتهى البحث إلى أن طرائق صوغ الحوار (أسلوب الالتفات, و الشّرط, و الأسلوب الإنشائي) منحت النّصّ سمة الشّعرية, و أضفت البعد الواقعي على الحدث, و عبّرت عن انفعال الشّاعر و شعوره النّفسيّ تجاه الحدث. و يعدّ الاستسلام لفعل الزّمن من أبرز الغايات التي كشف عنها الحوار في غرضي الرّثاء و الغزل, فلا جدوى من لوم الزّمن أو عتاب النفس على توجّعها.
This research tackles the phenomenon of dialogue in Alhothaliyen stories presenting reasons for studying it, then it defines a dialogue linguistically and idiomatically.It also highlights its purpose, its relationship to the pillars of the creative process, and methods in the old rhetorical Arab heritage and modern criticism. The body of this research is an applied study of the types of dialogue in lamentation, flirtation and blame stories, and methods of composing poetry such as (command and negation, interrogation, question and answer. The research concludes that the methods for composing a dialogue (switching, conditional, and compositional styles) added a poetic feature to the text and a realistic dimension to the event, and revealed the poet's emotions and his psychological approach toward the event. Surrender to the actions/deeds of time is one of the most prominent targets revealed by lamentation and flirtation in a dialogue, as there is no point in blaming time
References used
أشعار هذيل و أثرها في محيط الأدب العربي, إسماعيل محمد النتشة, ط 1, دار البشير, الأردن, 1422 ه.
البنية السردية في كتاب الإمتاع و المؤانسة, ميساء سليمان الإبراهيم, الهيئة العامة السورية للكتاب, دمشق, 2011 م.
قراءات أسلوبية في الشعر الجاهلي, موسى ربابعة, ط 1, دار الكندي, الأردن, إربد, 2000م .
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The research in the literary work relationship in the inner world of the pre-Islamic
poet is a sense of special emotion and embodies a unified feeling emanating from within
the poetic text. Many Jahiliyya texts carry a psychological thread that com
bines them. ,
And this psychological unit draws its energy from the isotopes loaded with emotional
signals that deepen the horizon of expectation, and make the receiver compatible with the
poetic state of the creator of the text.
This paper aims to illustrate the effect of the textual power in the esthetics of the
poetry text, its concepts and the dimension of this effect in the light of psychological
reading of the pre-Islamic poetry. We seek to preeminence the text effect
in the receiver
who uses his psychological tools to find out about the author self, appealing for the tension
power that was assembled by the text of the pre-Islamic poetry, and depending on the
poeticalness of the pre- Islamic figure in order to obtain the esthetics effect that attracts the
receiver and demonstrates the esthetics of the pre-Islamic poetry text and its riches.
The pre-Islamic poetry was not merely an artistic formulation, but it was a position,
thought and expression from the depths of the poet Al-Jahali, in which the da'al floats, and
the meaning falls away, so we get a flexible aesthetic dimension, after it reveals that the
pre-Islamic poetry exceeded and surpassed; Their poems included a special vision of their
mental state.
The poetic consciousness of the pre-Islamic period is full of various images of the "hero"
whose heroship exceeds the idea of chivalry further up to an extensive richness denoted by
the the lexicon of "heroicism", as well as by the poetic capturing
of the heroic acts. Thus, a
heroic poetry has emerged to be an example followed by many poets later to assimilate
those heroic values.
Generally speaking, the poet of the pre-islamic period is one of the tribe heroes adapting
values of heroship which have always characterised the pre islamic community.
Accordingly, the concept of the " war hero" has formed the the poetic consciousness in
terms of bravery and strength. So well does the "peace hero" as having been the social hero
representing the values of genorosity, good neighbor, and helping the needy. There are also
many other values which can't be separated in many poems, especially when connected
with collective pride that is often represented by heroes carrying the tribal fanaticism.
This research studies a new method of analogy that AI-Hazly had used in his poetry, the circular imagery. It also studies the effect of this method and its role in communicating the minute details of meaning with the listener and acknowledges AI-Hazl
y's skill in composing this method, to communicate with the reader the poet's sensations and life experience.
The presence of place had a distinctive position in the stream of consciousness that
made it able to show and rise the humanbeing's problems precisely and frankly from many
different views. Probably. The most important problem is making the emotion
al
relationship eminent and this what relates the human being to the place and the effect of
that on turning the relation of the human being with the place into a mutual one that made
the perception of the place nourish the emotion and vice versa and within this concept,
that mutual relationship has uncovered the depth of the gap between two worlds which
neither of them belongs to the other and they are the inner world and the outer one clearing
the self-crisis in its searching for domestic place or in its wish to escape from frightful
place to a safer one and because the awareness has no limits in the pre-speaking levels, the
confused human thoughts and intelligence have accompanied his constant searching for the
place and his dream in achieving his belonging goal.
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