بدأت المدن في البلدان النامية – وبحلول أوائل الستينات من القرن العشرين- بالنمو وفق الشكل العالمي بعيداً عن الانتماء المكاني المحلي ،وانتشرت التصاميم المعمارية الدولية الحديثة بأشكالها وتصاميمها المكررة ، الأمر الذي أدى إلى إشكاليات هامة أثرت في الأماكن التي وجدت فيها وقدمت إشكالات مضافة كإشكالية الانفصال بين النماذج الغربية المقتبسة والقيم القومية ، وإشكالية تنامي ظاهرة عمارة العولمة التي تهتم فقط بإعلاء النواحي الشكلية.
شكلت الإقليمية الحديثة في السنوات القليلة الماضية حلاً للنقاش المتزايد في الدول النامية حول حالة العمارة والعمران ، في محاولة من المعماريين والمخططين لتأمين الانتماء والمواءمة مع المكان وسعياً لمواجهة مفهوم اللامكان في العمارة الحديثة ، باستخدام المعطيات السياقية لإعطاء معنى وروح للمكان، وفق إعادة النظر في إمكانية الاستفادة من معطيات الموقع من مواد بناء وتقنيات ومناخ وطبيعة ، إضافة إلى الموروث الثقافي .
Cities begun in developing countries, by the earlier sixties of the 20th century, to
grow according to the world pattern away from local and locative Affiliation. Also
architectural modern international designs started to spread among its repeated shapes and
designs. Such a thing led to important issues that affected places where it was found and
presented more issues such as the separation between western adapted patterns and
national values, and the issue of development of the Phenomenon of Globalization
architecture which is only interested in upholding formalism aspects.
Modern regionalism formed in the last few years a solution of the growing debate in
the developing countries about the situation of the architecture and urbanism, in an attempt
by the architects and planners to provide the affiliation and alignment with the place, and
in order to cope with the concept of nowhere in modern architecture using sequenced data
to provide meaning and spirit to the place. Accordingly, to reconsider the possibility of
making use of the location data of the building such as building materials, techniques,
climate and nature, as well as cultural, civilized and community heritage, including its
content of the customs and traditions and re-interpreted within the concept of modernity,
the concept that has gained a strong and comprehensive presence in the first half of the
twentieth century and that was in the aim of finding authentic formulas within modernity.
References used
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Charles . C. M , David. R . G, Modernity and community: architecture in the Islamic world, Modernization and Local Culture: The Eighth Cycle of the Aga Khan Award, hames & Hudson and The Aga Khan Award for Architecture,. ; Geneva, 2001 pp. 9-16
Chatterjee, M , The Evolution of Contemporary Indian Architecture , Paris 1985.in Rai Rewal, Architecture in India. Paris: Electa Moniteur, 1985. pp .124-72
Colomina , B.B . “Collaborations: the private life of modern architecture”, Journal of the Society of Architecture Historians, pp. 462-471, September 1999, pp. 462- 471
Chadirji , R , K . Concepts and Influences : Towards a Regionalized International Architecture , Taylor & Francis Group (1986 ) .p.51,p.49
Curtis, W. J. R. "Towards an Authentic Regionalism." In Mimar 19: Architecture in Development, edited by Hasan-Uddin Khan. Singapore: Concept Media Ltd., 1986