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Register a new userSubjectification of space image in immigration text Cairo of Al Muiz in Al Abdari journey an example
"تذويت" صورة المكان في النص الرّحلي "القاهرة المعزّية في رحلة العبدري أنموذجاً"
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يقوم هذا البحث على شقّين، أولهما نظري يفصّل القول في مصطلح "التّذويت" بوصفه مصطلحاً نقدياً حديثاً له حضوره اللافت في النقد المختص بالنص الرّحلي، و يعرض لمصطلح "المكان الرّحلي"، و يجلو السمات الفارقة بينه و بين المكانين الواقعي و الفني. و ثانيهما تطبيقي يحلل صورة القاهرة المعزّية في رحلة "العبدري"، بعدّها صورة "مذوّتة"، و يرصد مسار تذويتها و العوامل الفاعلة فيه. و أبرز نتائجه أن المكان الرّحلي يتمتع بخصيصةٍ مائزة، و هي أنه مكان "مذوّت" يقع في منزلة وسط بين الواقعي و الفني، و أنه يعبّر عن ذات الرحالة و ثقافتها و مواقفها و انفعالاتها و أثر المكان فيها، و أثر العصر أيضاً. و أن القاهرة في نص "العبدري" ليست المكان الواقعي الموضوعيّ، و إنما هي "قاهرة العبدري" التي فقدت بُعديها التاريخي و "القدسي"، و تحوّلت إلى مكان طارد منفّر، فجَلَت ذاته و تعصّبها العَقَدي و القومي و الفكري، و ثقافتها، و توحّشها و نفورها من الشكل المديني، و ارتباطها الحميم بمكان الأنا = مكان الأم= قريته "حاحه".
This research is composed of two parts: The first is theoretical and separates the saying from the subjectification idiom with its considerable presence in criticism surrounding the immigration space. It also explains the marks and impressions which make difference between it and the factual and artistic space. The second one is applicable. It takes to pieces the image of Cairo Al Muiz in the journey of Al Abdari, considered as subjectified image and also observes its subjectification move and the effective elements in it. Its most significant result is that the immigration space has its own distinguished character as a subjectified space that lies in moderate position between the factual and artistic space, and expresses the age of journey, its culture, situations, emotions and also effect of space and period in it. Cairo in Al Abdari text which has lost both its historical sacred distance and has changed into a dismissing frightening space that it explained Al Abdari age, its believing ideal and national enthusiasm, its desolation and estrangement of the civilian form and its intimate tie to the space of the ego=mother space=his village Haha.
References used
برادة، محمد. الرواية ذاكرة مفتوحة، د.ط، آفاق للنشر و التوزيع، 2008
التونجي، محمد. المعجم المفصل في الأدب، ط 2، دار الكتب العلمية، بيروت، لبنان, 1999
الجرجاني، علي بن محمد الشريف. كتاب التعريفات، د.ط، بيروت، مكتبة لبنان, 1985
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This research is composed of two parts: The first is theoretical and applicational. The
theoretical section clarified both The fantastic and dignified terms. It elaborates saying in
"The fantastic of dignified journey" described fantastic especiall
y for representing features
of the fantastic. Moreover it adds to what corresponds to the dignity nature. On the other
hand the applicational section analyses texts of the dignified journeies in altasawof. It also
reveals several important results of this section like expanding time frequency of the
dignified journey, the changeable criterion based in texts in judging texts according to the
tribal receiver of dignity. Furthermore, there appeared a lot of topics like "subjects of I",
with absence of "subjects of You" ones. Another thing resulted there the vanishing of
literary mission in the condensed dignified journeies through news or a statement. At last,
there appeared two new functions for fantastic teaching and cognitive, in addition to the
main tasks of the fantastic: literary and the socialistic ones.
The Arabic travel literature has an important position because it
combines between benefit and entertainment.
AL Abdari's account of his long journey is an outstanding model of
travel literature from the Andalus and Magreb Arabic literatures. His
account of the journey presents a clear picture of scientific activities in
every place that Al Abdari visited it West and East; It also reflects Al
Abdari wide knowledge, and superb poetic talents. This account is an
important source of information about the cultural life at the end of
seventh century of Hijra, as Al Abdari started it in 688 hijri and he ended
it in 691 hijri; therefore, it is considered as an important source in
science, literature, and history to all who wrote after him like, Ibn
Battouta, and Abd Asslam AL Nasiri because the account contains lot of
important historical information and wonderful poems.
The subject of this essay is to study the importance of this travel
account and to highlight the broad knowledge and great efforts of AL
Abdari and other scientists to spread knowledge and learning everywhere
The study attempts to explore the structure of poetic
image in the free verse of modern poetry which is considered as the main
feature of modernity that lies in the elements of surprise and paradox,
deviation and spacious fantasy which opens up horizons to the recipients
for multiple and open readings.
The poems of male flirtation formed a great part in the volume of poetry .
There were a lot of motivation that illuminated it's roots , and the most important types of
these motives are the psychological and artistic motives that is represented in
the love of
some poets for slaves and fliratating of them . Some of the poets ran after beauty and
embodying it where ever it was .
The social motive which contributed in pubuLarising and spreading it largely , Among
different groups of Andolesian people . Ibn Al-buni was .
One of the most important poet who devoted most of his poems for that purpose .
Ibn Albuni " is slaves lover " as he was described by people in his time . He talked to us in
his poems " The male " a bout real facts and lived events .
This paper attempts at focusing on analyzing the poetic structure of a pre-and-post-
Islamic poet who witnessed and lived in the early Islamic and Umayyad Eras. With regard
to the objective, the paper is intended to shed light on the major features
and master pieces
of literary output, be its prose or verse, which is the human ego, the driving force and
dynamo behind any human creativity.
In this regard, the paper attempts at categorizing the major subjective characteristics
of a famous poet, such as Al-Farazdaq, who represented a unique phenomenon on the
creative, literary, and poetic scene, through the poetic satirical exchanges with Jareer, the
Umayyad poet laureate.
All this is being dealt with through trying to trace the major characteristics of this
ego and the impact it had left on the Arab poetic output.
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