يحاول هذا البحث أن يركز بالدراسة على مفهوم الدلالة, عند الفيلسوف الفرنسي جاك دريدا و سعيه إلى تقديم ممارسة نقدية مختلقة لمفهوم الدلالة, منشغلاً بالسؤال و البحث عن أفاق مختلفة للممارسة النقدية المتجاوزة للاتغلاق البنيوي. من خلال استراتيجية القراءة التي تتيح المجال لإنفتاح النص و تعدديته. فيعرض بداية توضيح مفهوم الدلالة كما حدده دريدا. ثم يناقش دور القارئ بوصفه استراتيجية حاسمة في توليد الدلالة, كونه منتجاً للنص, و قدرته على استعادة ذاكرة النص اختلافاً. ليصل إلى تبيان التباعد بين النصوص الذي يخلقه مفهوم الفضاء النصيَّ, على اعتبار أنَّ دوره لا يقتصر على دلالة القوة تشتيتاً أو مغايرة فحسب, بل يحتوي أيضاً على حافز تكويني. إذ عبر ملاحقة الأثر و استحضار المستبعد تتولد الدلالة, و تخلق المتعة بين النصوص. و تالياً, تصبح القراءة تجربة جمالية تعيد تشكليل النص من جديد. ليخلص إلى تكثيف نتائجه في خاتمة تعرض بعض ما توصلنا إليه من أفكار في تناولنا لهذا الموضوع.
This research attempts at focusing on the sing concept by the French philosopher
Jacques Derrida and how he tried to present a different critical reading of this concept,
busy answering the question and looking for new horizons of this critical reading that gose
beyond the structural closure. this will be through a reading strategy that enables us to open
up to the text and its multiplicities. So this research firstly introduces the concept as done
by Derrida then proceeds to discuss the role of reader being one deadly strategy in creating
or producing the sing, being one product of the text, and his ability to recall the memory.
All of this is to clarify the distance among texts which the textual horizon creates, since its
role dose not have to do only with the strength of sing as in difference but also it contains a
structural motive.The sign is created once the effect and the one who is put away are traced
down and thus creates enterainment among texts. Consequently, reading becomes an
aesthetic experience that reconstructs the text anew till we get in this research to
accumulative results in a conclusion that presents some of the ideas we ended up with
when tacking this issue.
References used
YAGEN,CEREN. Derrida and Language; Deconstruction. Mus Alparslan University; Faculty of Education,Turkey,2014
حمودة, عبد العزيز. المرايا المحدبة من البنيوية إلى التفكيك. عالم المعرفة, الكويت. 1998
دريدا, جاك. الكتابة و الاختلاف. ت: كاظم جهاد, ط 2, درار توبقال للنشر, دار البيضاء, 2000
Deconstruction tries to disrupt the transcendental signification and its domination on
the other implications by introducing a new concept: the concept of free play of the
marque. This concept is based on the philosophy of the otherness and differe
This research is an interpretive and critical approach to one of Jacques Derrida's
theories of deconstructive philosophy, the term "spectrum", which focuses first on trying to
define and clarify the meanings that can be contained within Derrida's t
In Mohammad Abed Al- Jaberi's point of view, heritage needs an
epistemological reading, that requires digging in its depth to rebuild it,
reform it, and reconnect with it.
Therefore, Jaberi's epistemological reading is based on his
conviction tha
The interpretation of my reading art is based on the transition from the direct
meaning in the apparent form to the indirect meaning in the implicit pattern, and verbal
functions, images, and loaded structures are strongly suggestive.
The critics
The goal of research is to know the impact of the strategy
departments of iopeer tuoring teaching for innovative reading skills
development fourthgrade primary, has formed the research sample
of 60 students, a pupil of grade IV primary.