This study aims at analyzing the poetic content of the poetry of an Omayyad poet who was born to a wealthy family which was so close to the Court. The objective of the study is to shed light on one of the most salient features of literary creativity
and literary masterpieces-whether poetic or prose- which is the human essence that stimulates human creativity and the doublet of this essence, that is the Other.
This study attempts to identify the most prominent subjective features in the poetry of Omar as a famous poet who became a phenomenon in the field of poetic and literary creativity through mastering flirtation poets and poetry in his era. It should be mentioned that the image of the Other in Omar’s poetry examined in this study is the image of woman which considerably resembles that image presented in the work of the majority of other poets. However, this same image varies in Omar’s poetry. Woman is represented as the chaste, beloved, and the rebellious.
Deconstruction tries to disrupt the transcendental signification and its domination on
the other implications by introducing a new concept: the concept of free play of the
marque. This concept is based on the philosophy of the otherness and differe
nce. Derrida
never stooped to remind that the difference is not a concept or an idea or a term. We see
the difference as Law, a Law of reading and writing. But it's also the Law of the Other and
the different. It reflectsa philosophy of otherness that is rooted in the writings of Derrida.
Derrida expressed this Law by a formulation that reduces deconstruction as a philosophy
and as a method: tout autre est tout autre, a sentence that says the identity and the
otherness together. It says the identity, and says the other, each other, the other in his
irreducible plurality, the other "is" different and we cannot tell his identity. Peerless
formulation of the Law that says the impossible.
