The extended text, that contains much paragraphs, is built on parts. These are
phrases, clauses, sentences.
Text,s linguists try to pass sentence for the whole of text, but they don,t ignore considering
that a sentence is the basis of analysis and
interpretation.
Collocations are a"micro semantic units" in a text, but grammatically they are sentences,
phrases, or clauses. These structures are able to give the macro semantic units,
which the producer intends to show to the receiver by several manners, or process, whereas,
part refers to whole.
Collocations may be a nucler topic storing the text,s macro semantic units, in one
part, or contain correlating " themes" to reffier to it, in second part, or include connotations
united to reffier to it, in third part.
R.Barthes declared that producer is dead, and J.Kristiva said that text is opened , so
receiver contributes in reproducing, according to his cultural background, knowledge of
the world, and experiences.
Our Study depended on "voice,scollocations", and its role in "Coherence" in Narrative
Text:( Ghadah al-Samman,s "Beirut 75").
Deconstruction tries to disrupt the transcendental signification and its domination on
the other implications by introducing a new concept: the concept of free play of the
marque. This concept is based on the philosophy of the otherness and differe
nce. Derrida
never stooped to remind that the difference is not a concept or an idea or a term. We see
the difference as Law, a Law of reading and writing. But it's also the Law of the Other and
the different. It reflectsa philosophy of otherness that is rooted in the writings of Derrida.
Derrida expressed this Law by a formulation that reduces deconstruction as a philosophy
and as a method: tout autre est tout autre, a sentence that says the identity and the
otherness together. It says the identity, and says the other, each other, the other in his
irreducible plurality, the other "is" different and we cannot tell his identity. Peerless
formulation of the Law that says the impossible.
