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Register a new userThe Drama and the Narrative in Ainyat Abi Zouaib Al Hathaly
الدراما و السردية في عينية أبي ذؤيب الهذلي
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يسعى البحث إلى الكشف عن العناصر الدّرامية و السّردية في الشعر العربي القديم عبر تناول عينية أبي ذؤيب الهذلي، و التي تتكون من مطلع نفسي وجداني، يسرد فيه الشاعر مأساته بافتتاحية درامية حوارية، يعقبها عرض سردي لثلاث قصص متنامية هي: قصة الحمار الوحشي و أتنه، قصة الثور الوحشي و الكلاب، قصة البطلين.
This research aims to discover the drama and narrative in old Arabic poetry, by studying poesy Ainyat Abi Zhouaib Al Hathaly, which consists of psychological emotional start, the poet narrates in it his tragedy using dialogical dramatic start, followed by narrative presentation tree growing stories: the Zebra and his female, the bull and the dogs, two heroes.
References used
Ibrahim, Abdullah, 1992, Al Sardya Al Arabya, Al Markaz Al Thakafi Al Araby, Beirut
Ibrahim, Dr. Mohammad Hamdy, 1994, Nazaryat Al Drama Al Igrikya, T1, Al Sharika Al Massrya Al Alamya Lilnasher, Longman, Maktabet Lebanon Nasheroun
Ismael. Dr. Iz Al Deen, 1989, Al Sheer Al Araby Al Muaser, Kadaya wa Zawaheroh Al Fannya wa Al Manawya, Muderyat Al Kutub wa Al Matbouat, Al Baath University
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There is reference to the poem of Abu Zooeb Al Hozaly in almost all
studies about the trace of the time in Arabic poetry, the poet who said
when he elegized his sons whom he lost at same time. So, the poet
formed a unique elegizing experiment. He
started it with special speech
about his sadness and wisdom, then moved to the common state; when he
comforted himself by saying three stories which shaped the ultimate
power of man, then shaped the collapsing of this power in front of time
and death.
This research aims at light lighting the aspects of the poem by
studying the duality of mortality and eternity that controlled the poem,
the properties of poetic speech, and the narrative elements style of Abu
Zooeb.
The approaching of the poem by criticism forms a reading which
may add new to dimensions previous reading in some aspects and agrees
with it in the others.
Over the past decade, the field of natural language processing has developed a wide array of computational methods for reasoning about narrative, including summarization, commonsense inference, and event detection. While this work has brought an impo
rtant empirical lens for examining narrative, it is by and large divorced from the large body of theoretical work on narrative within the humanities, social and cognitive sciences. In this position paper, we introduce the dominant theoretical frameworks to the NLP community, situate current research in NLP within distinct narratological traditions, and argue that linking computational work in NLP to theory opens up a range of new empirical questions that would both help advance our understanding of narrative and open up new practical applications.
In his poem "Torture of AL_ Hallag", AL_Bayati tries to benefit
of the narrative techniques since they are not only characteristic of the
novel, but of lingual discovers in general, and a system of lingual practice
which we can notice in many ling
ual genres. Using narrative techniques
in poems appears through narrative tyres because a poem maintains its
basis of harmony, description , imagination and so on .
These techniques in the text tend to more to the dramatic feature,
in which, voices and characters vary, and the narrative feature appears to
be a standard on which the poet constructs his text, and derives his ideas
and visions . He gets benefits of historic events through their existence in
order to fulfill creative writing , which in turn, produces real verse which
intensities, the narrative in a way that suits the poetic students .
Through this , the narrative structures contributes to building the poetic
text but do not totally affects them nor appear in a clear from which
undermine the poem . This means, it comes through the necessary
elements which contribute and fortify the poem's creativity , and elevate
it twards a space of beauty which might be more open to other types of
discourse .
This study aims at analyzing the poetic content of the poetry of an Omayyad poet who was born to a wealthy family which was so close to the Court. The objective of the study is to shed light on one of the most salient features of literary creativity
and literary masterpieces-whether poetic or prose- which is the human essence that stimulates human creativity and the doublet of this essence, that is the Other.
This study attempts to identify the most prominent subjective features in the poetry of Omar as a famous poet who became a phenomenon in the field of poetic and literary creativity through mastering flirtation poets and poetry in his era. It should be mentioned that the image of the Other in Omar’s poetry examined in this study is the image of woman which considerably resembles that image presented in the work of the majority of other poets. However, this same image varies in Omar’s poetry. Woman is represented as the chaste, beloved, and the rebellious.
This paper aims at studying the narrative functions of the stack
Chorus in selected English Renaissance plays: Christopher
Marlowe's Dr. Faustus, Thomas Kyd's The Spanish Tragedy, Ben
Jonson's Volpone. This study offers a close reading of the spee
ches
delivered by the Chorus, and shows their narration of the events and
their moral commentaries. This emphasizes their didactic
significance because they sum up the events, interpret the vague
ones and endorse the play's desired message . this paper concludes
that Jonson develops the stock Chorus by having recourse to other
characters who perform this communicative and didactic role. Here
lies Jonson's contribution to this conventional figure.
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