تناول هذا البحث دراسة نص أدبي كتبه الشاعر العماني هلال السيابي منذ عام 1982 م إبان دخول القوات الإسرائيلية للعاصمة اللبنانية بيروت و لكن حضور السياسي و حاجته الاجتماعية ماثله للعيان في عصرنا الحالي.
This paper examines W.B. Yeats’s “Sailing to Byzantium” (1927)
and William Blake’s “London” (1794) from a deconstructive critical
perspective. Though the two poems belong to two different ages in the
history of English poetry—the former is modern
while the latter
romantic—both can be quintessential examples of deconstructive
criticism.
The paper begins by discussing the meaning and significance of
deconstruction in modern critical theory. It reveals to the reader an
overview of deconstruction as a theory of reading texts. The paper,
moreover, proceeds to examine how deconstruction can illuminate the
above-mentioned poems by analysing their verbal contradictions in terms
of meaning and structure. Under the scrutiny of deconstruction, these
characteristics ultimately uncover the instability of literary language and
meaning. This deconstructive reading of the two texts will allow the
reader to gain a better understanding not only of the two poems but also
of deconstruction as a literary theory.
In his poem "Torture of AL_ Hallag", AL_Bayati tries to benefit
of the narrative techniques since they are not only characteristic of the
novel, but of lingual discovers in general, and a system of lingual practice
which we can notice in many ling
ual genres. Using narrative techniques
in poems appears through narrative tyres because a poem maintains its
basis of harmony, description , imagination and so on .
These techniques in the text tend to more to the dramatic feature,
in which, voices and characters vary, and the narrative feature appears to
be a standard on which the poet constructs his text, and derives his ideas
and visions . He gets benefits of historic events through their existence in
order to fulfill creative writing , which in turn, produces real verse which
intensities, the narrative in a way that suits the poetic students .
Through this , the narrative structures contributes to building the poetic
text but do not totally affects them nor appear in a clear from which
undermine the poem . This means, it comes through the necessary
elements which contribute and fortify the poem's creativity , and elevate
it twards a space of beauty which might be more open to other types of
discourse .
تقوم هذه الدراسة على رصد عدد من عناصر الاتِّساق و الانسجام في أحد
النصوص الشعرية المهمة التي أبدعها الشاعر العربي أحمد عبد المعطي حجازي، و هو نص يتعامل مع شهر أيار و ما وقع فيه من أحداث مهمة، مستنداً إلى الكشف عن آليات الاتِّساق: الإحالات النصية و ا
لحذف و الوصل و الاتِّساق المعجمي، و آليات الانسجام النصي: البنية الكلية للنص، و العنوان، و التكرار و المعرفة الكلية للعالم و الانقطاع و غيرها، و ختم البحث بخاتمة قصيرة تلخِّص أهم نتائج البحث.
The research purpose is to study the issue of Al Quds in Nezar Kabane poetry to light the position of Al-Quds poem in his thought and art. The paper also discusses many opinions for different researchers who didn't talk about the poem itself directly to enrich the research and distinct the value of the poem which specifically talks about Al –Quds.
The purpose of the research is to deepen the feeling of aesthetic
entity of Arab poetry from moralities standpoint, that is the secret behind
its immortality. and to affirm that the idiom of 'poets potency' by
Alasmae is an aesthetic principle tal
king about the make inside the poem,
its uniqueness, characteristics and the effect of the poet on others who
come later . This poem was chosen from the rest of his poetry as a
measure of Alhadera's potency because of its uniqueness and
characteristics .
The research method: text induction by searching on proofs about
poetry potency in this poem, if there is many we are satisfied with some
samples which indicate others, so that we avoid extension ,boredom and
increasing repetition towards one side. the comparison has been done
between its entity and Thalaba Ebn Soaer Almazne poem entity (Does
Amra have victuals of a traveler..) to show that there are similarities in
some parts of the image and there is a difference inside the inner entity.
The research is based on the entity of the poem, its structure method,
creative characters and the causes of its uniqueness.
The research results: the purpose has been achieved, we recognize
the uniqueness of the poem in its structural method, poetical images and
moveable scenes, also the specialty of the poet in creating the whole
poem and how it affects other poets just with even a few of its aspects.
This paper seeks to discuss the question of divine retribution in
Theogony, a Greek poem attributed to Hesiod (8th c. B.C.) It shows that
divine retribution occurs in the wake of crimes, which brings about gods’
wrath in Greek mythology. Then it p
roceeds to reveal this poet’s major
purpose which consists in his conception of poetry as an educative tool,
which reminds us of its time-honoured role as a public forum geared
towards inculcating ethical values into its recipients.
Repetition ,which abounds in literary works –whether it turns into a
linguistic system that abides or evades a certain rule-emerges ,as a stylistic and
distinctive sign which contributes to an appreciation of specific characteristic of
the literar
y style of the work under study .therefore, this concise paper seeks to
approach the average of the incident of repetition which ,through the curves
shown ,reveals the distinctive stylistic signs of Al-Shabbi,s poem On Life ,and
endeavors to show the function of this device on the level of the linguistic
construction of the text or system in question ,and the level of the text's general
structure ,via this statistic and stylistic practice.
يعالج البحث تقنية القناع في قصيدة "رحلة المتنبي إلى مصر" لمحمود درويش،
إذ ُتعد القصيدة الأولى التي يستخدم فيها الشاعر تقنية القناع.
و يتناول البحث توظيف القناع ضمن أربعة محاور: المونولوج الدرامي، و الوجه
و القناع، و زحرحة القناع، و العنصر الدرامي
و العنصر القصصي. و علاقة هذه
المحاور بحركة القصيدة و أبعادها الدلالية، و مدى نجاح الشاعر في توظيفها.
تنهض هذه الدراسة باستجلاء ظاهرة أسلوبية تتمثل في ظاهرة الانزياح التركيبي،
و ذلك من خلال نص شعري حديث، لأدونيس، و قد وقفت الدراسة على بعض مظاهر
الانزياح التركيبي في القصيدة و هي:
-1 التقديم و التأخير.
-2 الحذف.
-3 الالتفات.
-4 الفصل.
و قد خرجت
الدراسة بنتيجة مؤداها، أن للانزياح التركيبي أثرًا مهمًا في الارتقاء
بالقصيدة جماليًا، و الإسهام في تقديمها رؤية و تشكيلا، و إحداث تنوع دلالي كبير.
