- إنَّ الأدبَ يمثلُ وجودَ الإنسانِ الفاعلِ، و التركيب الأدبي تكثيفٌ و تجسيدٌ للفكرِ البشري الخلاَّق في أقصى طاقاتِه المعرفيةِ و الحسية، و لأن الإنسانَ هو كائنٌ باحثٌ عن المعنى و ليس مالكاً لهذا المعنى؛ من هنا لا نستطيع فهم الإنسان بعيدًا عن الأدب , و لا يمكننا فهم الذات البشرية بعيدًا عن توسط الأدب بما يتضمنه من لغةٍ و علاقة صوتية و رمز و نص.
- حاولنا في هذا البحثِ أنْ نقتربَ من طبيعةِ العلاقةِ بين اللغةِ و الذاتِ البشريةِ، و أنْ نتعرَّفَ إلى قدرةِ الكلمةِ على التأثير في المتلقي، و لعلنا استطعنا أنْ نرصدَ تحركات هذه الكلمة ثم نواكبَ تغير طاقتها إنْ كانت مفردة أو في التركيب ثم نستصرخ طاقتها لتحريض انفعال القارئ انفعاليا و فكريا لتنتقل الكلمة من دور الناقل للحدث إلى صناعة الرأي و تحريك الجموع البشرية الواعية التي تمتلك محاكمة عقلية فاعلة.
The literature is a human actor presence, installation literary intensify and the
embodiment of human thought creative in the extreme cognitive, sensory energies, and
because the man is the object searcher for meaning and not the owner of this sense; from
here we can not understand the human being away from the literat6ure, and we can not
understand the human self away from broker literature, enriched by the language of sound
and the relationship of the code and text.
- We have tried in this research to approach the nature of the relationship between
language and human self, and to recognize the ability of the word to influence with
receiver, but publicly we were able to monitor the movements of the word, and keep up
with changing capacity if it is a single or in a composition and then rouse the capacity to
incite emotion of reader , emotionally and intellectually tomoves the word from the
carrier for the event to view the role of the industry and moving the human conscious
crowd , which owns the logical of mental functioning .
References used
قطوس، بسام، الإبداع الشعري وكسر المعيار. مجلس النشر العلمي ، الكويت ، 2005 م.
عساف ، ساسين ، الكتابة الفنية. منشورات جروس برس ، طرابلس ، 1985 م
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