Do you want to publish a course? Click here

The English Aristocracy and Empire Building in Edward Bulwer-Lytton's1 Novel The Caxtons

الأرستقراطية الإنكليزية و بناء الإمبراطورية في رواية إدوارد بولور – ليتون (آل كاكستون)

1127   0   4   0 ( 0 )
 Publication date 2007
  fields English
and research's language is العربية
 Created by Shamra Editor




Ask ChatGPT about the research

This paper proposes to examine the role of the English aristocracy in the colonial process and in empire building as shown in The Caxtons, a novel written by the nineteenth-century novelist Edward Bulwer-Lytton and published in 1849. The novel will be contextualized within a larger framework of other literary and non-literary texts.

References used
(Bodelsen, C. A. Studies in Mid-Victorian Imperialism (London: Heinemann, 1960)
Buler-Lytton, Edward. The Caxtons: A Family Picture. 1849 (Edinburgh and London: William Blackwood & Sons, 1859). 2 vols
(Cain, P. J. and A. G. Hopkins. "Gentlemanly Capitalism and British Expansion Overseas, I. The Old Colonial System, 1688-1850," Economic History Review, 2nd ser. 39, no. 4 (1986
rate research

Read More

The dandy was an elusive cultural icon which found expression in many literary works and attracted the attention of prominent cultural critics. The general undiscerning assumption was that the dandy was merely a man interested in clothes and matte rs of style. A more discriminating examination of the dandy figure reveals, however, that he was much more sophisticated than this assumption makes him to be. This paper examines the nineteenth-century theoretical debate about the dandy in the works of Charles Baudelaire and Thomas Carlyle, particularly in Carlyle’s book Sartor Resartus and then proceeds to study the presentation of the dandy figure in two novels by Charles Dickens, Hard Times and Bleak House, and Edward Bulwer-Lytton’s Pelham.
The description of place in the novel, Beautiful Damascus, is associated with its creator’s cultural dimension, so he impregnates it with his thoughts and aspirations. Place description is one based upon interpretation. He did not describe geograp hical places in particular, but he intended to form them in an artistic manner which serves his ideas. He also described place both accurately and in accordance with the novel’s characters’ activities within that place. Place description is linked to colour so that it can reveal their psychological situations. He also described non-visible place because he felt that eyesight is not alone capable of description in a perfect way.
This dissertation tackles the ability of Syrian Learners of English to use English discourse Particles. It addresses the use of five discourse Particles by Syrian learners, and these are oh, well, you know , now, and sort of.
This research studies the notion of non-equivalence in translation between English and Arabic. It displays the main issues translators face when translating, like cultural restraints and linguistic barriers. It also suggests a number of strategies that help in dealing with non-equivalence, including paraphrasing, omission, and cultural substitution.
This paper seeks to stress that Marlowe's Edward II is, at bottom, a tragic story or a personal history of its hero's agonies. Therefore, it starts by considering the dramatic genre of the chronicle play, and shows that studying Edward II as a tra ditional history play does not penetrate into its design and operation. Then the paper moves to emphasize that Mortimer's rebellion and punishment fit didactic history drama. This leads us to explore Edward's continual endeavors to write his agonies in the form of a tale or tragedy.
comments
Fetching comments Fetching comments
Sign in to be able to follow your search criteria
mircosoft-partner

هل ترغب بارسال اشعارات عن اخر التحديثات في شمرا-اكاديميا