تحاول هذه الورقة أن تدرس أثر الأرستقراطية الإنكليزية في العملية الاستعمارية
و في بناء الإمبراطورية كما يتجلى ذلك في "آل كاكستون"، و هي رواية كتبها الروائي
الإنكليزي إدوارد بولور - ليتون الذي عاش في القرن التاسع عشر و نشرت عام
1849 . و ستوضع الرواية في سياق إطار أوسع من النصوص الأدبية و غير الأدبية.
This paper proposes to examine the role of the English aristocracy in
the colonial process and in empire building as shown in The Caxtons, a
novel written by the nineteenth-century novelist Edward Bulwer-Lytton
and published in 1849. The novel will be contextualized within a larger
framework of other literary and non-literary texts.
References used
(Bodelsen, C. A. Studies in Mid-Victorian Imperialism (London: Heinemann, 1960)
Buler-Lytton, Edward. The Caxtons: A Family Picture. 1849 (Edinburgh and London: William Blackwood & Sons, 1859). 2 vols
(Cain, P. J. and A. G. Hopkins. "Gentlemanly Capitalism and British Expansion Overseas, I. The Old Colonial System, 1688-1850," Economic History Review, 2nd ser. 39, no. 4 (1986
The dandy was an elusive cultural icon which found expression
in many literary works and attracted the attention of prominent
cultural critics. The general undiscerning assumption was that the
dandy was merely a man interested in clothes and matte
The description of place in the novel, Beautiful Damascus, is
associated with its creator’s cultural dimension, so he impregnates it
with his thoughts and aspirations. Place description is one based
upon interpretation. He did not describe geograp
This dissertation tackles the ability of Syrian Learners of English to use English discourse Particles. It addresses the use of five discourse Particles by Syrian learners, and these are oh, well, you know , now, and sort of.
This research studies the notion of non-equivalence in translation
between English and Arabic. It displays the main issues translators
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It also suggests a number of strategies
This paper seeks to stress that Marlowe's Edward II is, at bottom, a tragic
story or a personal history of its hero's agonies. Therefore, it starts by
considering the dramatic genre of the chronicle play, and shows that
studying Edward II as a tra