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Poetical piracy of poetry in Thi al –Rummah poetry

السَّرقات الشِّعريَّة في شِعْر ذي الرُّمَّة

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 Publication date 2014
and research's language is العربية
 Created by Shamra Editor




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The poetical piracy is considred one of the most important issues which old critics dealt, with cavefully. They dealt with the accusations which were known among them, or which were cleared by Arab critics of literature and that were discovered. No doubt this subject faces many difficulties and changes including what is linked with the gist the poetry itself, and some linked with time, and its changes associated with civilized changes linked with the poet himself, and with the recipient, too. THI AL- RUMMAH is one those poets, he inspired from early writers, and copied from many his contemporary poets. His poitical piracy of poetry was varied by taking poetry uttrly and meaning fully and explained his choice meaning fully more than uttrley. His poetical piracy is divided into two kinds: 1- one kind is cleared by evidence ( presumptions). 2- the second mentional scientests and confirmed it. THI AL-RUMMAH said that the meanings from other poets, but what was said about him is one the contrary of this saying, and refuses it.


Artificial intelligence review:
Research summary
تتناول هذه الدراسة قضية السرقات الشعرية في شعر ذي الرمة، وهو شاعر أموي بارز. تعتبر السرقات الشعرية من أقدم القضايا التي اهتم بها النقاد العرب، حيث قاموا بتحليلها وتصنيفها إلى أنواع مختلفة مثل الاصطراف، الاجتلاب، والانتحال. يركز البحث على تحليل سرقات ذي الرمة من الشعراء السابقين والمعاصرين له، ويقسمها إلى نوعين: سرقات واضحة بالقرينة وسرقات نص عليها العلماء. يوضح البحث أن ذي الرمة كان يدعي أنه لا يأخذ من معاني غيره، لكن الأدلة تثبت عكس ذلك. كما يناقش البحث مفهوم التناص في الشعر العربي الحديث وكيفية تطبيقه على شعر ذي الرمة. يتناول البحث أيضاً كيفية تحسين ذي الرمة للمعاني المسروقة وتطويرها، مما يجعله شاعراً مبدعاً رغم السرقات. الهدف من البحث هو تسليط الضوء على هذه السرقات ومناقشتها في إطار النقد العربي القديم والحديث، مع محاولة التوفيق بين المفهومين.
Critical review
دراسة نقدية: تعتبر هذه الدراسة إضافة قيمة إلى الأدب العربي، حيث تسلط الضوء على قضية هامة وهي السرقات الشعرية. ومع ذلك، يمكن القول أن الدراسة تفتقر إلى التحليل العميق لبعض النصوص الشعرية التي تناولتها، كما أن الاعتماد الكبير على المصادر القديمة قد يجعل البحث يبدو تقليدياً بعض الشيء. كان من الممكن أن تكون الدراسة أكثر شمولية إذا تضمنت تحليلات مقارنة مع شعراء من فترات زمنية مختلفة لتوضيح مدى تأثير السرقات الشعرية عبر العصور. بالإضافة إلى ذلك، كان من الممكن أن تستفيد الدراسة من استخدام أدوات تحليلية حديثة لتقديم رؤية أكثر توازناً وشمولية.
Questions related to the research
  1. ما هي أنواع السرقات الشعرية التي تناولها البحث؟

    تناول البحث أنواعاً مختلفة من السرقات الشعرية مثل الاصطراف، الاجتلاب، والانتحال، وقسمها إلى سرقات واضحة بالقرينة وسرقات نص عليها العلماء.

  2. كيف تعامل ذي الرمة مع المعاني المسروقة؟

    قام ذي الرمة بتحسين المعاني المسروقة وتطويرها، مما جعله شاعراً مبدعاً رغم السرقات.

  3. ما هو الهدف من البحث؟

    الهدف من البحث هو تسليط الضوء على السرقات الشعرية في شعر ذي الرمة ومناقشتها في إطار النقد العربي القديم والحديث، مع محاولة التوفيق بين المفهومين.

  4. كيف يمكن تحسين الدراسة؟

    يمكن تحسين الدراسة بإضافة تحليلات مقارنة مع شعراء من فترات زمنية مختلفة واستخدام أدوات تحليلية حديثة لتقديم رؤية أكثر توازناً وشمولية.


References used
الآمديّ 1961 م المؤتلف و المختلف , تح: عبد السَّتَّار فراج , دار إحياء الكتب العربيَّة , القاهرة .
.الأخطل, 1971 م شعره , تح : د . فخر الدِّين قباوة , دار الفكر , دمشق , ط 1 .
الأصفهانيّ أبو الفرج , 2002 م , الأغاني , تح : د . إحسان عبَّاس . د. إبراهيم السَّعَّافين . بكر عبَّاس , دار صادر , بيروت , ط 1
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هل ترغب بارسال اشعارات عن اخر التحديثات في شمرا-اكاديميا