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Register a new userThe Umayyad wall paintings in the levant (effects and indications)
الرسوم الجدارية الأموية في بلاد الشام (مؤثراتها و دلالاتها)
1886
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وفاء صارم( باحث )
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الرسوم الجدارية من أساليب الرسم التصويري, الذي تأثر بالمؤثرات البيزنطية و الساسانية ثم أخذ بالاستقلالية في العصر الأموي, ليصل في العصر العباسي إلى مرحلة النضوج. و شكلت بلاد الشام أحد مراكز الإبداع لهذه الرسوم المنفذة بطريقة الفسيفساء و الفريسكو, و تعد هذه الرسوم من الوثائق المهمة في دراسة التاريخ, فهي سجل للحياة اليومية و من الدلائل على الاستيطان. و لمعرفة خصائص الرسوم الجدارية لابد من دراستها, لذلك تم التركيز على مبانٍ مهمة اشتملت على تصاوير منفذة بالفسيفساء كقبة الصخرة و الجامع الأموي و قصر خربة المفجر. و مبانٍ تحوي تصاوير منفذة بطريقة الفريسكو كقُصير عمرة و قصر الحير الغربي.
Murals are one of the techniques of delineation, which was influenced by Hantine and Sassanian in fluencies. They been their independence in the Umayyad period to maturity in the Abbasid era. The Levant was one of the centers of creativity for these drawings implemented in a mosaic and frisco. The drawing are important documents in history,arecord of daily life and evidence of settlement.to know the properties of the wall paintings, it is necessary to study the drawings which were implemented in the mosaic and in Frisco. There fore, the focus was on important bulding that included the drawing in mosaic such as the Dome the Rock and theUmayyad mosquen and the khirbat al-mfjar palace. And the drawing in frisco such as Omra palase and palase of western Hier.
References used
تنب كجي (عماد محمد عثمان), تفاصيل جدران الأبنية السكنية, دار دمشق, 1986
جودي (محمد حسين), الفن العربي الإسلامي, دار المسرة, عمان, 1998م .
حامد خليفة (ربيع), زخارف قبة الصخرة. مصر, 2001
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