Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userتجليات التراث في قصص زكريا تامر
1405
4 171
0
(
0
)
Authors
ديما اسماعيل( باحث )
Created by
Shamra Editor
Ask ChatGPT about the research
شكلَّ التراث رافداً مهماً في الأعمال القصصية الحديثة ؛لأنّ التراث هو الهوية الثقافية للأمة و أمينها ، و هو المدافع عنها أمام الثقافات الوافدة . من هنا اتجه زكريا تامر في قصصه إلى توظيف التراث ، و قد استطاع زكريا تامر مزج التراث بالأدب ، و الأدب بالتراث إذ إنّ العلاقة بينهما ليست علاقة إبداع و حسب ، و إنما هي علاقة اندماج ، و عشق بحيث يتحول التراث في وعي الكاتب إلى مكوّن ثقافي فاعل يتوسل به الكاتب فكريا و فنيا لتحقيق درجات التغيير ، و التواصل مع المتلقي. تتنوع المصادر التراثية في عالم زكريا تامر القصصي ، إذ نلتقي بمصادر تاريخية كعمر المختار و يوسف العظمة و صقر قريش و طارق بن زياد ، و مصادر إنسانية كجنكيز خان و هولاكو . و أخرى دينية كـقابيل و هابيل ، و النبي يوسف (ع)، و مصادر شعبية كالشاطر حسن ، و مما يلاحظ أنّ الكاتب وظف هذه الرموز بشكل دقيق فنيّاً و معنوياً ممّا أدى إلى إثراء عالمه القصصي.
No English abstract
References used
ابن منظور- لسان العرب-دار صادر، بيروت، المجلد الثاني ، دت ط 200 صفحة.
الصمادي ،امتنان، زكريا تامر والقصة القصيرة 204 ، المؤسسة العربية للدراسات عمان 1993 ط1
rate research
Read More
Violence is clear in the story works of Zakarayya Tamer. It signifies most of his
works forming a chracteristict that distinguishes his own works from other written works
in this age and he proved himself a popular different writer who has his way
stating with
cursing and ending in crime regadless to his issues concerning (family, street,power) even
if they are different if we think of circumastances which lead to this colour of writing. In
this world the scenes of troublesome, fighting, raping and killing.
Thus violence signifies this world in which it is difficult to live out of desire to
blood by killing in the most terrified way seprating heads. This describes his way of
revealing the disasterous sort of writing away from the causes of these problematic affairs
which go deeper than what we are expecting. This is what the search is trying to deal with
and focus.
The term greatness was taken on multiple meanings, and different
ways. However in the Islamic Arab thought, which Al-Motanabby
belongs to this concept was based on an essential point which is
perfection. In other words, perfection is the core of g
reatness and the most important feature in it is glory.
In Al-Motanabby's poetry, greatness was manifested in this sense,
and included many elements of existence, but the clearest and most important image was the one of the great man. Therefore, we focus, in this study, on human greatness through two images:
First, the great self, the image of Al-Motanabby him self.
Second, the great hero, the image of Sayf-Aldawlah the ideal savior Arab hero .
And as great is associated with beautiful for Al-Motanabby, so we
clarified his understanding of this kind of beauty, to discover that it was from spiritual or mental word, and not from material one
The Andalusian prose has a history of greatness , and quality in
which it is written .
This research comes to prove the admiration of the Andalusian
ى writers of the Oriental heritage in general , and poetry in particular,
despite their different
ideological and literary attitudes , by
revealing the manifestations of poetic heritage in the Andalusian
prose , and highlighting the most prominent poets influenced by the
writers of Andalusia , and took from their poetic texts to meet their
literary needs .
This research tackles the phenomenon of dialogue in Alhothaliyen
stories presenting reasons for studying it, then it defines a dialogue linguistically and idiomatically.It also highlights its purpose, its relationship to the pillars of the creative
process, and methods in the old rhetorical Arab heritage and modern criticism.
The body of this research is an applied study of the types of
dialogue in lamentation, flirtation and blame stories, and methods
of composing poetry such as (command and negation,
interrogation, question and answer.
The research concludes that the methods for composing a dialogue (switching, conditional, and compositional styles) added a poetic feature to the text and a realistic dimension to the event, and revealed the poet's emotions and his psychological approach toward the event.
Surrender to the actions/deeds of time is one of the most prominent targets revealed by lamentation and flirtation in a dialogue, as there is no point in blaming time
The presence of place had a distinctive position in the stream of consciousness that
made it able to show and rise the humanbeing's problems precisely and frankly from many
different views. Probably. The most important problem is making the emotion
al
relationship eminent and this what relates the human being to the place and the effect of
that on turning the relation of the human being with the place into a mutual one that made
the perception of the place nourish the emotion and vice versa and within this concept,
that mutual relationship has uncovered the depth of the gap between two worlds which
neither of them belongs to the other and they are the inner world and the outer one clearing
the self-crisis in its searching for domestic place or in its wish to escape from frightful
place to a safer one and because the awareness has no limits in the pre-speaking levels, the
confused human thoughts and intelligence have accompanied his constant searching for the
place and his dream in achieving his belonging goal.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
