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Register a new userRepresentations of Poetic Heritage in Andalusian Prose
تجليات الموروث في النثر الاندلسي
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Aِl-Baath University ورقة بحثية
Publication date
2018
fields
Arabic
and research's language is
العربية
Authors
بشرى إبراهيم( باحث )
Created by
Shamra Editor
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للنثر الأندلسي تاريخ يشهد بعراقته ، و جودة ما كُتِبَ فيه من رسائل . و يأتي هذا البحث ليُثبت إعجاب الكتّاب الأندلسيين بالتراث المشرقي عامّة ، و الشعر خاصّة ، على الرغم من اختلاف توجّهاتهم الفكرية و الأدبية ، من خلال الكشف عن تجليات الموروث الشعري في النثر الأندلسي ، و تسليط الضوء على أبرز الشعراء الذين تأثر بهم أدباء الأندلس ، و استقوا من نصوصهم الشعرية ما يُلبّي حاجاتهم الأدبية .
The Andalusian prose has a history of greatness , and quality in which it is written . This research comes to prove the admiration of the Andalusian ى writers of the Oriental heritage in general , and poetry in particular, despite their different ideological and literary attitudes , by revealing the manifestations of poetic heritage in the Andalusian prose , and highlighting the most prominent poets influenced by the writers of Andalusia , and took from their poetic texts to meet their literary needs .
References used
AL-drobi , Mohammed , 1991 , Technical letters in the Abbasid period until the end of the third century . dar alfikr , Amman
Azzam , Dr. Mohammed , 2001 , Absent text . Publications of the Arab Writers Union , Damascus
Midan , Ayman Mohammed , (d.t) , Literary dialogue between the East and Andalusia . dar al-Wafaa , Al-exandria
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Reading through this research which titled ( Apologizing in Andalusian and Moroccan Prose - Almoravid and Almohads Periods ) and the authors' psychological status which is folded in between their words , induces several issues , nevertheless, the tim
e period upon which these texts have been written.
The Arab Literary Heritage Is An Inexhaustible Source Inspiring A Great Deal Of
Intellectual And Creative Facts Which Enrich The Ear Innovation. Thus, Dr. Abdul-
Rahman Al-Basha Is One Of The Arab Intellectual Who Took A Look At The Arab
Heritage
And Assimilated It, Adding Intellectual, Critical And Literary Visions That
Contributed To The Enrichment Of The Arab Library With The Importance Of This
Heritage And What Originality It Has, Which Makes The Arabic Literature Grow Firm
Roots. The Various Studies Weren,T Also Restricted To Clarifying The Heritage
Importance, But They Came To Remove What Got Stuck In The Mind, Clearing Them Of
Obstacles And Accusations With The Arab Thought Was Charged To Show The Ability
Of Arab Writers And Intellectuals, And Dr. Abdul-Rahman Al-Basha Is On Of Them-
Defending The Nation,S Creativity And Thinking Whether In Poetry Or In Thought In A
Way That Serves The Intellectual And Cultural Development Of The Arab Nation
Throughout History.
The study deals with the aesthetics of poetic language as the most
prominent object of the literary interplay in the prose text of the
writers, preachers and apostles of the Umayyad period.
This paper, which is entitled "The Inheritance in Fayez Khadour's Poetry" aims at
studying and analyzing the methods of inspiring the different types of inherited elements in
the poetic text, with the purpose of uncovering two things: first, the vi
sions they contain,
which entails laying the importance on the (text language), meaning the style used in
forming the text language, based on the fact that poetry is an aesthetic, cognitive and
linguistic structure and any deviation in any of these characteristics results in a deviation in
poetry from its true concept; second: the new space that the poet presented in this aspect of
his poetic experience and the amount of distinction and difference which he achieved from
his fellow poets of poetry of modernity. I have discussed the methods of using the
inheritance in Khadour's poetry in two fields: the folkloric and literary inheritance, and the
religious and mythic inheritance. I purposely joined together one aspect of these fields in
one context because of the proximity of their references on the one hand, and in orderto
avoid the wordiness which is not applicable within the limits of this paper on the other
hand.
Self takes a conscientious form when it embodies its life values
in its world, so its feelings and sensations crystallize. When
conscientious self is creative by itself, it reflects these emotions in
the art it creates, and then this art (poetry)
can be named as
conscientious.
Arabic poetry lasted in Al-Andalus for eight centuries; therefore,
it is the product of its milieu. Many factors collaborated to
determine its tends and characteristics, that is why poetic
conscientious self in Al-Andalus singled for itself a specific literary
taste which was a response to Al-Andalus reality and its particular
nature. Eventually poetic conscientious self offered Al-Andalus
singular creative aspects.
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