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Register a new userتحولات الخطاب الأنثوي في الرواية النسوية في سورية
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يتناول البحث تحولات الخطاب الأنثوي في الرواية النسوية في سورية، و بخاصة من حيث صلتها بالرجل و المجتمع و العادات و التقاليد ، و قد بين البحث أن نضال المرأة على صعيد الرواية قد مر في ثلاث مراحل متعاقبة تبعًا للمعطيات التي مرت بها البلاد منذ الخمسينات من القرن العشرين إلى اليوم، و نتيجة للإقبال المتزايد نسويًا على كتابة هذا الجنس الأدبي.
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References used
بيطار، هيفاء: "امرأة من طابقين"، مكتبة بالميرا، اللاذقية، ط 2، د.ت.
حجاب، ناديا: "المرأة العربية - دعوة إلى التغيير"، رياض الريس للنشر، لندن، د.ت.
الحفار الكزبري، سلمى: "عينان من إشبيلية"، دار الكاتب العربي، بيروت د.ت.
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This study aims at studying the feminist novel in Palestine under the Zionist occupation. The researcher chose the novelist (Sahar Khalifa) as a model since she is considered one of the most prominent creative writer in the field of the contemporary
feminist novels in her novels (We are No More Bond girls for you) and (An Autobiography of An Impractical Woman) and (The Cactus) and (The Sun Flower) Any researcher will not be able to understand the feminist novel in Palestine without understanding the Zionist occupation and the essence of the contradictions that a creative person lives in the atmosphere of repression, suppression siege, oppression and daily killing.
The research tries to show the image of the woman in these novels and did the writer (Sahar Khalifa) harmonize with her real life in Palestine or did she divert from her covey. This is what the writer tries to show at the end of his study.
This paper aims at studying realism in the feminist novel in both
Jordan and Palestine. It starts by giving a thorough definition of realism
and what it means, within exactly the domain of literary criticism. As in
other literary trends and approa
ches, there seems to exist an evident
discrepancy among these viewpoints, that is to say in how these schools
view realism. Realism appears to be prevalent in the Jordanian and
Palestinian novel, as a result of various factors. Furthermore, a number of
effects from within the literary movement itself participated in the
dominance and the materialization of this trend.
يتناول هذا البحث المادة الحكائية في القصة النسوية القصيرة في سورية،
و يرصد تحولات هذه المادة في المحتوى و الشكل منذ الستينيات من القرن العشرين
إلى اليوم ضمن قسمين كبيرين: الأول هو الهم الأنثوي الخاص، و تتجلى فيه غادة
السمان بقصصها التي تكشف فيها ز
يف العلاقات القائمة بين الأنوثة و الذكورة في
مجتمعاتنا العربية من خلال مادة حكائية جذابة تعبر عن الحياة من خلال الكتابة،
و تابعها عدد من الكاتبات في هذا الشأن، و الثاني الهموم العامة التي تشارك فيها
الكاتبات الكتاب الذكور، و منها الهموم الاجتماعية المختلفة، من مثل العدالة بين
الطبقات و الهموم الوطنية و الصراع مع الاستعمار أو الاستبداد، و الهموم القومية، و في
مقدمتها قضية فلسطين، و قد اشتركت معظم الكاتبات السوريات في هذا المجال،
و تفاوتن في تقديم المادة الحكائية بين الفن الجميل و الخطاب العادي.
The research attempts to compromise a linguistic case to be understand able it’s the
theory in phase the formation, and it is the detection hangs in about the image which
appeared in its personality of the oratorical self, the transformations which
occurred on it,
and their application mechanism to a linguistic text which is the speech of AL- HASAN
Ibn ALI Ibn ABI TALEB In Sabatt.
Moreover, The research attempts to set up a compromise that clarifies both sides of
saying: theoretical and practical, so the research to importance indicated the rhetoric in
describing its industry, and seeks to attracting the addresses "receivers" and the impacting
and persuading them, and explain the components of the communication process, and
illustrated the manifestations of the ethos, started with the advanced ethos that pertains to
the person speaking, and through the oratorical ethos, it is the image that the speech
producer tried to construct in the text, to reach the image of the self was formed after the
end of the discourse, which proposed usher naming the post-rhetorical ethos, and how the
recipient rebelled against the preacher when the third verb of the speech act was achieved.
The analytical descriptive and method might sound the perfect way via which one
can get to the speech of AL- HASAN Ibn ALI, analysis of procedural processes in the
study of linguistic phenomena after determining their scope time and environment, and
detecting shifts in the image of the discourse product "ethos" .
It seems that the concept of experimentation in terms of conceptual semantics and conventional meanings is essential, inevitable, due to frequent trading and its prevalence among researchers, specialists and non-specialists in addition to what the co
ncept of diversification in procedural techniques and tools on the one hand, and the maturity of intellectual and ideological dimension, on the other hand, this paper provides an illustrative study of the concept of experimentation from significant linguistic and idiomatic, Through its relationship with its associated concepts such as modernity, authenticity and alienation, for confirming that experimentation is not a concept, and that it is as much a reflection of attitudes or philosophical insights into Existentialism and the aesthetic and historical control the overall creative process.
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