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Register a new userThe Manifestations of the Pre-Islamic Poet Complaint of Fate
شكوى الدّهر في أشعار جاهليّة
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لارا ستيتي( باحث )
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يتناول هذا البحث تجلّيات شكوى الشّاعر الجاهليّ من الدّهر ، و ذلك من خلال مظاهر شقائه و عجزه ؛ فشكا الدّهر الّذي تجلت قواه السّالبة في صورتي الطّلل و العجز. و سنتبين حقيقة الألم الّذي أَلَمَّ بالجاهليّ في لحظات وقوفه الفنّي أمام الطّلل؛ مشيراً إلى رعب طالما حاول رسم أبعاده تفريغاً لهمّ ، أو تمهيداً لأمرٍ ما ، و ما هذا الرّعب سوى الدّهر، كما سنجد في هذا البحث إحساس العجز، و محاولة الجاهليّ التّغلب عليه تارةً ، و الاستسلام للواقع تارة أخرى ، فما العجز إلاّ فقدان قدرة الإنسان، و استحالة تحقيقه لفعلٍ يريد القيام به ، و إذا وقف المرء عاجزاً أمام المرض و الموت و الفراق، فإن أشد ما أحسّ به عجزه على مقاومة القدر. تبدأ الدّراسة بالحديث عن مفهوم الدّهر، ثم نظرة الشّعراء الجاهليّين إلى الدّهر، و تبيّن تجلّيات الشّكوى من الدّهر ضمن صورتي الطّلل و العجز.
This research deals with the study of the manifestations of the pre-Islamic poet complaint of a lifetime, and through the manifestations of misery and helplessness; complained forever that reflected the negative forces in both picture of ruins and inability. In fact, this points to horror as long he tried to draw a nominally to relax, or to prepare for a specific matter. This horror is no more than time, as we find in this research a sense of impotence, and the al-Jahili tries to overcome it at times, and surrender at others. Impotence means man's inability, and the impossibility to achieve his goals. If man stops helpless in front of disease, death and loss and others, the most felt thing is his failure to resist fate. This study begins by talking about the concept of eternity, then scrutinizes the al- Jahili poets' view to fate. It manifests the revelations of complaint from fate with the two pictures of ruins and inability.
References used
أسرار الحروف , أحمد زرقة, دار الحصاد للنشر و التوزيع , دمشق , ط1 , 1993م.
الإنسان و الزمان في الشعر الجاهلي, حسني عبد الجليل يوسف , مكتبة النهضة المصرية , القاهرة , 1988م.
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This case is as the
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poet is a sense of special emotion and embodies a unified feeling emanating from within
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signals that deepen the horizon of expectation, and make the receiver compatible with the
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reading of the pre-Islamic poetry. We seek to preeminence the text effect
in the receiver
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power that was assembled by the text of the pre-Islamic poetry, and depending on the
poeticalness of the pre- Islamic figure in order to obtain the esthetics effect that attracts the
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thought and expression from the depths of the poet Al-Jahali, in which the da'al floats, and
the meaning falls away, so we get a flexible aesthetic dimension, after it reveals that the
pre-Islamic poetry exceeded and surpassed; Their poems included a special vision of their
mental state.
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