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Register a new userThe internal Rhythm in the Contemporary Poem: The Repetition as Structure: Al Bayati as A Model
الإيقاع الداخلي في القصيدة المعاصرة: "بنية التكرار عند البياتي نموذجاً"
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هدى الصحناوي( باحث )
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تمتاز القصيدة المعاصرة بالجرأة في الانزياح عن الأطر القديمة، و تحاول إبداع نماذج ترقى إلى تأسيس حساسية شعرية جديدة، و تتخذ في سبيل ذلك تقنيات و آليات متعددة، و منها تلك التي تؤسس لبنية إيقاعية تتمرد على المعايير الموسيقية التقليدية بما فيها من الصرامة في وحدة الوزن و القافية، و لا تستسلم لسطوة النموذج السائد، فتنتقل من مضمارها المعهود إلى ساحة تسيطر عليها جزئيات و تفاصيل دقيقة يستغل الشاعر مكوناتها في سبيل التخطيط لهندسة معمارية داخلية على علاقة وطيدة بالانفعالات النفسية، و الإيحاءات الدلالية، التي ترسم إحداثيات التوتر الإيقاعي المتناغم مع حركة النفس، و حركة الدلالات النصية، لذلك تتجه صوب حركة الداخل التي تنمو و تتطور بفعل التواصل و التفاعل بين معظم مكونات النص، و نسيج علاقاته، من هنا يأتي البحث الراهن ليتتبع العوامل و المكونات التي تسهم في التشكيل الإيقاعي بعيداً عن المكون الخارجي المتمثل في الوزن العروضي و القافية، و يتخذ (البحث) لنفسه تقنية التكرار الحرفي نموذجاً للتطبيق، ليكشف عن أحد جوانب الإيقاع الداخلي، و مدى فاعليته في تشكيل البنية الإيقاعية العامة للنص، و ارتباط ذلك بالبعد الدلالي، للوقوف على العلاقة العضوية بين الدلالة الإيقاعية و الدلالة اللغوية، و استجلاء التمثيل الصوتي للمعاني، و إسهامها في إنتاج حركة النص الإيقاعية.
The rnodern poem is characterized by breaking away from the old molds. It also attempts to sreate models that seek to generate new poetic sentiments. In order to reach that goal the poern follows several techniques and rnechanisms" These techniques attempt to establish a rhythmical structure that rebels against the conventional musical standards and their rigor of meter and rhyme. Moreover, they do not yield to the power of the popular modetrs, and they move to a space where the poet can make use of minute details so as to plan for an interior design that is strongly associated with psychological motives and semantic figures. Both of which will define the focal point of the rhyhmical tension which is compatible with the development of the self and the textual semantic. Therefore, they move towards the interior which develops due to the interaction between the components of the text and its interrelationships. Thus, this paper shall seek to trace the factors and constituents that take part in the formation of the rhythmical structure away from the external component represented by the meter and rhyme scheme. The paper adopts literal repetition as a means to find out about the aspects of the internal rhyhm and its contribution to the construction of the general rhythmical structure of the text as well as its relation with the semantic dimension in order to focus on the relation between rhyhmic semantic and linguistic semantic.
References used
الأحمد، أحمد سليمان: الإيقاع ودلالته في الشعر، مجلة المنهل، السعودية، عدد . 183 ، السنة 1995
أدونيس: في قصيدة النثر، /جلة شعر، دار مجلة شعر، بيروت، السنة الرابعة، ع14 , 1960.
إسماعيل، عز الدين: الأسس الجمالية في النقد العربي، دار الفكر العربي، . القاهرة، د.ط، 1992
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This research discusses a fundamental issue concerning the
controversial relationship between the poet and political subjects on the
one hand and the relationship between the poet and the governordesignate
of the pyramid of authority (the Caliph),
and the possibility of
employing the language to express this relationship through the
possession of the poet to different techniques of language that was able to
disclose the fragility of that relationship offset by the ability of the poet in
the employing and vocabulary in different contexts.
The search contains the identifying of Abu Al-alaa Al-Ma'arry's
life, and talking about role of alliteration and counterpoint in
achievement of the internal musical rhythm during his poetry. Abu
Al-alaa did not adhere in the traditional musical st
andards not only
what it includes of the strength in the unity of meter and rhyme, but
he moves of its traditional course to court which specific details and
parts dominate on it for planning to internal architectural
engineering, he ladled in the usage of alliteration, which did not
appeare in his poetry to achieve the musical rhythm in what
independs on it of agreement between things. and also from counter
point, he combines between good formula and the benefit of
content.
Counterpoint did not appeare just for appearance of the opposite,
but every opposite had rhetorical art or adorable, or something of
wisdom which made the reader feels the agreement and combination
between counterpoint and the meaning which it achieves or the
rhetorical formula which it contacts.
In his poem "Torture of AL_ Hallag", AL_Bayati tries to benefit
of the narrative techniques since they are not only characteristic of the
novel, but of lingual discovers in general, and a system of lingual practice
which we can notice in many ling
ual genres. Using narrative techniques
in poems appears through narrative tyres because a poem maintains its
basis of harmony, description , imagination and so on .
These techniques in the text tend to more to the dramatic feature,
in which, voices and characters vary, and the narrative feature appears to
be a standard on which the poet constructs his text, and derives his ideas
and visions . He gets benefits of historic events through their existence in
order to fulfill creative writing , which in turn, produces real verse which
intensities, the narrative in a way that suits the poetic students .
Through this , the narrative structures contributes to building the poetic
text but do not totally affects them nor appear in a clear from which
undermine the poem . This means, it comes through the necessary
elements which contribute and fortify the poem's creativity , and elevate
it twards a space of beauty which might be more open to other types of
discourse .
This study aims to study the phenomenon of repetition in the
commentator Zuhair ibn Abi Salma, a phenomenon that is clearly
manifested in his comment, which is related to some extent closely
to the structure of the poet psychological and existenti
al, as the
repetition of the poet chooses a combination of linguistic structures
and stylistic elements. A selective process of language-language
spirit, which reveals the secret of his tendency to this stylistic
style.
The study attempts to explore the structure of poetic
image in the free verse of modern poetry which is considered as the main
feature of modernity that lies in the elements of surprise and paradox,
deviation and spacious fantasy which opens up horizons to the recipients
for multiple and open readings.
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