The search contains the identifying of Abu Al-alaa Al-Ma'arry's
life, and talking about role of alliteration and counterpoint in
achievement of the internal musical rhythm during his poetry. Abu
Al-alaa did not adhere in the traditional musical st
andards not only
what it includes of the strength in the unity of meter and rhyme, but
he moves of its traditional course to court which specific details and
parts dominate on it for planning to internal architectural
engineering, he ladled in the usage of alliteration, which did not
appeare in his poetry to achieve the musical rhythm in what
independs on it of agreement between things. and also from counter
point, he combines between good formula and the benefit of
content.
Counterpoint did not appeare just for appearance of the opposite,
but every opposite had rhetorical art or adorable, or something of
wisdom which made the reader feels the agreement and combination
between counterpoint and the meaning which it achieves or the
rhetorical formula which it contacts.
I admired the charm of "Signatures", their richness of vocabulary,
construction, perfection and musical fusion .Each word is tightly
connected to the other within an accurate literary form.
And these might be a consequence of the characteristics o
f this prose
art and its being a product of persons who have many contributions in
consolidating the pillars of the Islamic state, and its present and future .
The Importance of this research comes from addressing one of these
rhetorical arts (Antithesis) which are heavily present in "Signatures".
It is clear that using (Antithesis) had special importance built on the
personal experience, the aesthetic sense and the psychological effect, it is
not only a mere articular decoration or playing on words .
