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Register a new userDiscourse Change in Praise Poetry of Ashja' Al-Sulamee's Poem NRhyme as a model
تبدل الخطاب في شعر المدح عند أشجع السَلمي القصيدة النونية أنموذجاً
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Damascus University ورقة بحثية
Publication date
2011
fields
Arabic
and research's language is
العربية
Created by
Shamra Editor
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يتناول البحث قضية جوهرية تتعلق بجدلية العلاقة بين الشاعر السياسي و الرعية من جهة و العلاقة بين الشاعر و الوالي المعين من هرم السلطة (الخليفة) من جهة أخرى، و إمكانية توظيف اللغة الشاعرة في التعبير عن هذه العلاقة من خلال امتلاك الشاعر لتقنيات اللغة المختلفة التي استطاع من خلالها الكشف عن هشاشة تلك العلاقة التي تقابلها قدرة الشاعر في توجيه المفردات اللغوية و سياقاتها المختلفة في التعبير عن وهن هذا النسيج وضعفه.
This research discusses a fundamental issue concerning the controversial relationship between the poet and political subjects on the one hand and the relationship between the poet and the governordesignate of the pyramid of authority (the Caliph), and the possibility of employing the language to express this relationship through the possession of the poet to different techniques of language that was able to disclose the fragility of that relationship offset by the ability of the poet in the employing and vocabulary in different contexts.
References used
إسماعيل، عز الدين: في الأدب العباسي، الرؤية والفن، دار النهضة العربية، بيروت، 1975 م
الأصفهاني، أبو الفرج: الأغاني، دار الشعب، مصر، 1970 م.
الأيوبي، ياسين: معجم الشعراء في لسان العرب، دار العلم للملايين، بيروت، 1982 م.
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Al-Mutanabbi, as we all know, is a poet who filled the world with poetry providing a
tale and reflecting the sublimity of creation and art.He is still like a torrential spring from
which scholars drinkn to quench the thierdt of their pens in search
of his creative works,
trying to reveal the secret of that creation which involves inventive psychological feelings
that made him form his poetry with wonderful aesthetic artistry, something which, gave
Arabic a particular dealing with the word use which, perhaps, is almost unique to Al-
Mutanabbi so that this creation which remained constanly with him till he became famous
for it as if it had been his identification card he held. No sooner does ascholar read that
language than he sees Al-Mutanabbi's ID Card which has later became the ID card of
Arabic poetry, affecting its advance and restrationcreativey, aristically and intellectually
throughout ages and history.
The rnodern poem is characterized by breaking away from the old molds.
It also attempts to sreate models that seek to generate new poetic
sentiments. In order to reach that goal the poern follows several
techniques and rnechanisms" These technique
s attempt to establish a
rhythmical structure that rebels against the conventional musical
standards and their rigor of meter and rhyme. Moreover, they do not yield
to the power of the popular modetrs, and they move to a space where the
poet can make use of minute details so as to plan for an interior design
that is strongly associated with psychological motives and semantic
figures. Both of which will define the focal point of the rhyhmical tension
which is compatible with the development of the self and the textual
semantic. Therefore, they move towards the interior which develops due
to the interaction between the components of the text and its
interrelationships. Thus, this paper shall seek to trace the factors and
constituents that take part in the formation of the rhythmical structure
away from the external component represented by the meter and rhyme
scheme. The paper adopts literal repetition as a means to find out about
the aspects of the internal rhyhm and its contribution to the construction
of the general rhythmical structure of the text as well as its relation with
the semantic dimension in
order to focus on the relation between rhyhmic semantic and linguistic
semantic.
The object of this research is taking about the art image in the
poetry of Abu Al-alaa Al-Ma'arry's through metaphor and
metonymy. Abu Al-alaa Al-Ma'arry used the metaphor because he
was able -by using it- to evade from taking directly about the
attribute or about what he describe. So that, his metonymies varies
between the obvious and the obscure which Demonstrate his ability
to use words and puzzles to express the various meaning by using
brief words.Metaphor also contributed to express his ideas and
meanings which he translated it as metaphoric images, and he
assorted his relations linking the two parties.
The proposed study suggests that exploring style structure in
the Taf'eela Verse (free verse) of modern Syrian poetry may
be achieved through the manifestations and rich pictures that it
encompasses. But these manifestations, pictures, and linguis
tic
and artistic revelations must usher the way to the rest of the
materialized structures which are interacting with it, on the
one hand, and perhaps it overpasses them towards their distant
implied spheres, on the other hand.
Al sayab has been a distinguished phenomenon in modern Arabic literature, and
it has been illustrated in many ways, however, the most affective one is the power of his
creative poetry and its incredible sensitivity.
However, this thesis discusses
the semantic creativity that creates the metaphors in
the "Anthem of the rain' revealing the muse fighting with words in the battle of existence.
The analysis has created a portrait to an inner conflict of a soul seeking salvation
with a vision of loyalty to art and life, done by the poet. Sometimes , she suffers injustice ,
slavery and harsh reality that restricted the human , and at the same time ,she is the
revolutionary and ambitious one to create an alternative world of freedom , justice and
brotherhood .
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