The search contains the identifying of Abu Al-alaa Al-Ma'arry's
life, and talking about role of alliteration and counterpoint in
achievement of the internal musical rhythm during his poetry. Abu
Al-alaa did not adhere in the traditional musical st
andards not only
what it includes of the strength in the unity of meter and rhyme, but
he moves of its traditional course to court which specific details and
parts dominate on it for planning to internal architectural
engineering, he ladled in the usage of alliteration, which did not
appeare in his poetry to achieve the musical rhythm in what
independs on it of agreement between things. and also from counter
point, he combines between good formula and the benefit of
content.
Counterpoint did not appeare just for appearance of the opposite,
but every opposite had rhetorical art or adorable, or something of
wisdom which made the reader feels the agreement and combination
between counterpoint and the meaning which it achieves or the
rhetorical formula which it contacts.
Indubitably, elements constituting the syntactic structure are one of the significant linguistic features of the symmetrical discourse in the linguistic order whether poetry or prose; since the symmetry discourse consists of two, or more, adjacent li
nguistic series.
However, the symmetrical discourse is one form of syntactic arrangements, as appears in organizing the text, and dividing it into similar constituents that soon bring forward a recognizable rhythmical dimension, which becomes clear in how long or short the tone is, whether this symmetrical discourse is full or partial, divided into longer stretches, or shorter ones interconnected by the conjunction 'and'.
No doubt that such a type of linguistic discourse, which divides the text into similar segments, acquires it harmony and cadence apparently missing in any other linguistic structure.
