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Register a new userمن دلالات الانزياح التركيبي و جمالياته في قصيدة "الصقر" لأدونيس
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Damascus University ورقة بحثية
Publication date
2005
fields
Arabic
and research's language is
العربية
Authors
عبد الباسط محمد الزيود( باحث )
Created by
Shamra Editor
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تنهض هذه الدراسة باستجلاء ظاهرة أسلوبية تتمثل في ظاهرة الانزياح التركيبي، و ذلك من خلال نص شعري حديث، لأدونيس، و قد وقفت الدراسة على بعض مظاهر الانزياح التركيبي في القصيدة و هي: -1 التقديم و التأخير. -2 الحذف. -3 الالتفات. -4 الفصل. و قد خرجت الدراسة بنتيجة مؤداها، أن للانزياح التركيبي أثرًا مهمًا في الارتقاء بالقصيدة جماليًا، و الإسهام في تقديمها رؤية و تشكيلا، و إحداث تنوع دلالي كبير.
No English abstract
References used
ابن كثير، قصص الأنبياء، تحقيق عبد القادر أحمد عطا، دار الفكر للنشر والتوزيع، عمان، ط 1، د.ت.
إسماعيل، عز الدين، جماليات الالتفات، بحث ضمن كتاب قراءة جديد لتراثنا . النقدي، النادي الأدبي الثقافي بجدة، د.ط، 1990
الجرجاني، عبد القاهر، دلائل الإعجاز، دار المدني بجدة، ط3, 1992.
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This poem, which is the focus of the present study, has been the focus of
the attention of many critics and researchers, old and modern. This is
mainly because of the richness of this poem in terms of style, the
skillfulness in its construction, a
nd the depth of its meanings. This is why
this same poem is the focus of the present study which will be an
investigation into the salient aspects of deviation in this poem at the
semantic and structural levels.
This research study aims to investigate some works of Picasso, as one of the most famous names in
modern art, especially in sculpture domain, as well as the way of his beginnings that feed him back with
the inspirations and the creative ideas. Thes
e last two ones which started with painting and ended by
creating unique patterns in the space that no one has ever discovered before. It was according to the
cubism school, in which Picasso is considered one of its founders and creators. The importance of this
research comes mainly form the knowledge of the way of merging between mechanisms and multiple
items on one side, and the creativity statue on the other side. Artist have employed his unlimited creative
skills in such a discriminated style representing his character and his inventive thoughts. In that way, he
established a new and a strange concept in sculpture world, whence the form and the essence, and through
that he can merge resplendently between collage and sculpture under one umbrella, compounding and
construction. His works in Synthetic cubism was evidence on his ingeniousness.
This research paper deals with some of the aspects of creativity and
innovation in this poet "AL-Buhturi", and their impact on deviation
in the text. The deviation considered here is on that has to do with
themes rather than language or rhetoric.
We have depended on the main feature of deviation; that was
attributed to him regarding all studies that tackled it, namely,
surprise and violation of what is common. Therefore, we have
concluded that surprise has mad the themes an important field of
deviation.
The displacement method of the important methods in stylistic studies and modern
linguistics; it is based onDepart from the familiar and ordinary language to create beauty
creative outlines a literary text by the poet and increase its luster, and i
ts showText
aesthetic statement and the possibility of the poet and his abilities shift in his words, which
the recipient is a matter of contemplation and interpretation Revealed in a metaphorical
sense, it stands on aesthetic and poetic language.
And here it highlights the role of the imagination in the production of diverse literary
images, since the poet called free rein to his imagination in the generation of meanings
andInnovation, and this is done in the familiar skip weave method, and breach of the
modest traditions between language users,
If the purpose of the distortion of the text is to create beauty and stylistic innovation
that leaves an impact on its recipients, which confirms Position
Poetic language; Art is not art until breathing shed from the standard, and even filled
his intention of violating the order and violation of norms,
That's what the beauty of D poets, literary texts semantic my style.
يعالج البحث تقنية القناع في قصيدة "رحلة المتنبي إلى مصر" لمحمود درويش،
إذ ُتعد القصيدة الأولى التي يستخدم فيها الشاعر تقنية القناع.
و يتناول البحث توظيف القناع ضمن أربعة محاور: المونولوج الدرامي، و الوجه
و القناع، و زحرحة القناع، و العنصر الدرامي
و العنصر القصصي. و علاقة هذه
المحاور بحركة القصيدة و أبعادها الدلالية، و مدى نجاح الشاعر في توظيفها.
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