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Register a new user"قصيدة القناع: قراءة في قصيدة "رحلة المتنبي إلى مصر" لمحمود درويش
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يعالج البحث تقنية القناع في قصيدة "رحلة المتنبي إلى مصر" لمحمود درويش، إذ ُتعد القصيدة الأولى التي يستخدم فيها الشاعر تقنية القناع. و يتناول البحث توظيف القناع ضمن أربعة محاور: المونولوج الدرامي، و الوجه و القناع، و زحرحة القناع، و العنصر الدرامي و العنصر القصصي. و علاقة هذه المحاور بحركة القصيدة و أبعادها الدلالية، و مدى نجاح الشاعر في توظيفها.
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References used
بسيسو، عبد الرحمن. قصيدة القناع في الشعر العربي المعاصر. المؤسسة . العربية للدراسات والنشر: بيروت، 1999
ديوان محمود درويش. المجلد الثاني، دار العودة: بيروت، .1994
دنقل، أمل. الأعمال الشعرية الكاملة. دار العودة: بيروت، مكتبة مدبولي، 1995 م.
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A text’s poetic characteristic is what gives it its literary attribute .The poetic characteristic
of a structural constituent is what gives it the main attribute amongst others. Scholars,
therefore, are interested when attempting to identify the p
oetic quality in tracing the
technique, whose effective presence, along with its links to other set constituents, indicates
that the studied text is distinguished for its poetic characteristic .Each artistic means, which
is significant in indicating the implication of the text, is a poetic means. This is the paper’s
hypothesis in illustrating the significance of contrast, relying upon a set of theoretical
postulates, of which some are confined to linguistics, although they have their basis in
Arab linguistic and rhetorical discourse. They help a scholar in drawing rhetorical
conclusions, in the aftermath of examining the texts. As for the practical objective, the
paper will try to make use of the theoretical postulates in dealing with one of al-
Mutanabby’s texts, which are strikingly rich with contrasts: their abundance on the text's
level. Thus , al-Mutanabby invested it [contrast] in weaving a network of relations linking
the signified, whereby contrast is their main linking device, and the first controlling factor
in directing them towards giving the text a consistent poetic structure.
This paper examines W.B. Yeats’s “Sailing to Byzantium” (1927)
and William Blake’s “London” (1794) from a deconstructive critical
perspective. Though the two poems belong to two different ages in the
history of English poetry—the former is modern
while the latter
romantic—both can be quintessential examples of deconstructive
criticism.
The paper begins by discussing the meaning and significance of
deconstruction in modern critical theory. It reveals to the reader an
overview of deconstruction as a theory of reading texts. The paper,
moreover, proceeds to examine how deconstruction can illuminate the
above-mentioned poems by analysing their verbal contradictions in terms
of meaning and structure. Under the scrutiny of deconstruction, these
characteristics ultimately uncover the instability of literary language and
meaning. This deconstructive reading of the two texts will allow the
reader to gain a better understanding not only of the two poems but also
of deconstruction as a literary theory.
The purpose of the research is to deepen the feeling of aesthetic
entity of Arab poetry from moralities standpoint, that is the secret behind
its immortality. and to affirm that the idiom of 'poets potency' by
Alasmae is an aesthetic principle tal
king about the make inside the poem,
its uniqueness, characteristics and the effect of the poet on others who
come later . This poem was chosen from the rest of his poetry as a
measure of Alhadera's potency because of its uniqueness and
characteristics .
The research method: text induction by searching on proofs about
poetry potency in this poem, if there is many we are satisfied with some
samples which indicate others, so that we avoid extension ,boredom and
increasing repetition towards one side. the comparison has been done
between its entity and Thalaba Ebn Soaer Almazne poem entity (Does
Amra have victuals of a traveler..) to show that there are similarities in
some parts of the image and there is a difference inside the inner entity.
The research is based on the entity of the poem, its structure method,
creative characters and the causes of its uniqueness.
The research results: the purpose has been achieved, we recognize
the uniqueness of the poem in its structural method, poetical images and
moveable scenes, also the specialty of the poet in creating the whole
poem and how it affects other poets just with even a few of its aspects.
تقوم هذه الدراسة على رصد عدد من عناصر الاتِّساق و الانسجام في أحد
النصوص الشعرية المهمة التي أبدعها الشاعر العربي أحمد عبد المعطي حجازي، و هو نص يتعامل مع شهر أيار و ما وقع فيه من أحداث مهمة، مستنداً إلى الكشف عن آليات الاتِّساق: الإحالات النصية و ا
لحذف و الوصل و الاتِّساق المعجمي، و آليات الانسجام النصي: البنية الكلية للنص، و العنوان، و التكرار و المعرفة الكلية للعالم و الانقطاع و غيرها، و ختم البحث بخاتمة قصيرة تلخِّص أهم نتائج البحث.
This paper seeks to discuss the question of divine retribution in
Theogony, a Greek poem attributed to Hesiod (8th c. B.C.) It shows that
divine retribution occurs in the wake of crimes, which brings about gods’
wrath in Greek mythology. Then it p
roceeds to reveal this poet’s major
purpose which consists in his conception of poetry as an educative tool,
which reminds us of its time-honoured role as a public forum geared
towards inculcating ethical values into its recipients.
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