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Register a new userDivine Retribution in Hesiod’s Theogony
القصاص الإلهي في قصيدة ( ثيوغوني) للشاعر الإغريقي هيسيود
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Damascus University ورقة بحثية
Publication date
2007
fields
English
and research's language is
العربية
Authors
الياس خلف( باحث )
Created by
Shamra Editor
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سعى هذا البحث إلى دراسة قضية القصاص الإلهي في قصيدة (ثيوغوني) للشاعر الإغريقي هيسيود، الذي عاش في القرن الثامن قبل الميلاد . و يبين هذا البحث أن القصاص الإلهي يتم عقب ارتكاب الجرائم التي تسبب غضب الآلهة في الأساطير الإغريقية . و يمضي البحث قدماً ليكشف هدف الشاعر الذي يكمن في رؤيته للشعر بوصفه أداةًً تعليميةً ، الأمر الذي يذ ّ كرنا بدوره العريق كمنبر عام موجه لغرس المبادئ الأخلاقية في نفوس متلقيه .
This paper seeks to discuss the question of divine retribution in Theogony, a Greek poem attributed to Hesiod (8th c. B.C.) It shows that divine retribution occurs in the wake of crimes, which brings about gods’ wrath in Greek mythology. Then it proceeds to reveal this poet’s major purpose which consists in his conception of poetry as an educative tool, which reminds us of its time-honoured role as a public forum geared towards inculcating ethical values into its recipients.
References used
(Adam, James. The Religious Teachers of Greece. (Edinburgh: T&T Clark, 1988
(Apollodorus. The Library. Translated into English by Sir James George Frazer (Cambridge Massachusetts: Harvard University Press, 1921
(Bacchylides. Complete Poems. Translated by Robert Fagles and edited by AdamM. Parry (Yale University Press, 1961
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يعالج البحث تقنية القناع في قصيدة "رحلة المتنبي إلى مصر" لمحمود درويش،
إذ ُتعد القصيدة الأولى التي يستخدم فيها الشاعر تقنية القناع.
و يتناول البحث توظيف القناع ضمن أربعة محاور: المونولوج الدرامي، و الوجه
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و العنصر القصصي. و علاقة هذه
المحاور بحركة القصيدة و أبعادها الدلالية، و مدى نجاح الشاعر في توظيفها.
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