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تقوم هذه الدراسة على رصد عدد من عناصر الاتِّساق و الانسجام في أحد النصوص الشعرية المهمة التي أبدعها الشاعر العربي أحمد عبد المعطي حجازي، و هو نص يتعامل مع شهر أيار و ما وقع فيه من أحداث مهمة، مستنداً إلى الكشف عن آليات الاتِّساق: الإحالات النصية و الحذف و الوصل و الاتِّساق المعجمي، و آليات الانسجام النصي: البنية الكلية للنص، و العنوان، و التكرار و المعرفة الكلية للعالم و الانقطاع و غيرها، و ختم البحث بخاتمة قصيرة تلخِّص أهم نتائج البحث.
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References used
إيسر، فلفجانج، فعل القراءة، نظرية في الاستجابة الجمالية، ترجمة عبدالوهاب . علوي، المجلس الأعلى للثقافة، 200
براون، ويول، تحليل الخطاب، ترجمه إلى العربية محمد لطفي الزليطي، ومنير . التريكي، دار النشر العلمي، الرياض، 1997
بوجراند، النص والخطاب والإجراء، ترجمه إلى العربية تمام حسان، عالم الكتب، . القاهرة، 1998
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يعالج البحث تقنية القناع في قصيدة "رحلة المتنبي إلى مصر" لمحمود درويش،
إذ ُتعد القصيدة الأولى التي يستخدم فيها الشاعر تقنية القناع.
و يتناول البحث توظيف القناع ضمن أربعة محاور: المونولوج الدرامي، و الوجه
و القناع، و زحرحة القناع، و العنصر الدرامي
و العنصر القصصي. و علاقة هذه
المحاور بحركة القصيدة و أبعادها الدلالية، و مدى نجاح الشاعر في توظيفها.
This research unseels Abdul GhaniAlnabulsy’s poem as an opposed poem for two other ones; which are the famous poem by Abdul Kareem Aljily and a poem by IbnAlfarid. That is to show the interrelation with in them through inducting the indicative parts
which take it to a contractual domatic joint from one side, and to backtrace the formatic artistic methods which join them with the other’s poetry from the other side.
The research has reached the fact that Alnabulsy’s sound, has interpenetrated with the sound of the antecedent poet; to lessen the sound of the belated poet in front of the old one, as if the uniqueness feature in his age was in the antecedence for who follows the an cestors’steps, to be the one who can be like the previous poets is the most remarkable one.
This study attempts to investigate the tale of (Tawaddod, the
Maid), one of the tales of Thousand and One Nights. It is an educational
tale that is different in style from the tales of the entire collection, such an
educational ballad and a variety of knowledge embedded in a book of
poetry of a good quality. The study is twofold: the historic part that
highlights the tales of Thousand and One Nights, as of the name, history
and origin, the views of Arab historians and orientalists, and the impact
of the Persian, Greek and Arabic on these tales. The second one is the
applied part that introduces Tawaddod, the maid, as a model. The
researcher presents a summary of the tale, its history, objectives, narrative
structure, language, and technical means used in it.
This research studies features of fools' speech in Arabian
heritage through standards of textual cohesion ,taking Ibn Al
Jawzi,s book as a practical example in attempt to look at what
specialize this speech ,which make it different from other speech
of wise men.
This paper examines W.B. Yeats’s “Sailing to Byzantium” (1927)
and William Blake’s “London” (1794) from a deconstructive critical
perspective. Though the two poems belong to two different ages in the
history of English poetry—the former is modern
while the latter
romantic—both can be quintessential examples of deconstructive
criticism.
The paper begins by discussing the meaning and significance of
deconstruction in modern critical theory. It reveals to the reader an
overview of deconstruction as a theory of reading texts. The paper,
moreover, proceeds to examine how deconstruction can illuminate the
above-mentioned poems by analysing their verbal contradictions in terms
of meaning and structure. Under the scrutiny of deconstruction, these
characteristics ultimately uncover the instability of literary language and
meaning. This deconstructive reading of the two texts will allow the
reader to gain a better understanding not only of the two poems but also
of deconstruction as a literary theory.
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