Iron and steel material is consi dered modern and old, entered the technical field of the wider doors so as to durability.
The problematic use of industrial metal scraps in the creative process for the completion of the work lies in the contemporary
sculptural contemporary artist's desire to address this matter and in order to enrich and satisfy the desires of the creative artist as all contemporary sculptors and creators world are looking for the sustainability of their art work. since the nature of the raw material used such as iron, steel and metal alloys that are not oxidized ore is solid, durable and resistant to erosion of natural
materials, making it ideal for huge sculptures adorn squares and public places permanently.
It was here on the most important stages of lighting and developments in the art of forming minerals and direct it by eating some of The most relevant functional testing in Europe, Asia and America as well as to trace the beginnings of this art in the Arab world and the definition of the most important
patrons and review of the most important experiences.
The researcher in the history of ancient Eastern civilizations observes an essential aspect in them, which is the important role played by the belief in those civilizations, as it motivation and directed the foundation to her, and what submitted of m
ankind's varied civilized achievements of (political, architectural, artistic, and others)proves that.
As the impact of religious belief was apparent regarding the human life, in terms of worship of many gods idealized according to their functions believed in that era, so since human minds were occupied by the prevailing myths and fantasy which also control their thoughts and activities, and that is what the different archaeological findings reflected to us such as the clay dolls which through them, they expressed the female god or the mother god in primitive spontaneous way, so it was the language
spoken and expressed their vision and imagination spontaneously away from theories or artistic trends. But when we try to read and analyze them we are surprised by what they included of aesthetic and formative values appear in the beauty of artistic expression, and the way they formed the shape and
linked it to the content, As if they were aware of what he was doing, which added high artistic values to its historical value it may be relatively comparable to what was carried out by contemporary academic sculptor.
This research study aims to investigate some works of Picasso, as one of the most famous names in
modern art, especially in sculpture domain, as well as the way of his beginnings that feed him back with
the inspirations and the creative ideas. Thes
e last two ones which started with painting and ended by
creating unique patterns in the space that no one has ever discovered before. It was according to the
cubism school, in which Picasso is considered one of its founders and creators. The importance of this
research comes mainly form the knowledge of the way of merging between mechanisms and multiple
items on one side, and the creativity statue on the other side. Artist have employed his unlimited creative
skills in such a discriminated style representing his character and his inventive thoughts. In that way, he
established a new and a strange concept in sculpture world, whence the form and the essence, and through
that he can merge resplendently between collage and sculpture under one umbrella, compounding and
construction. His works in Synthetic cubism was evidence on his ingeniousness.
The research includes: an Introduction which gave the definition of the movement (ancient and modern)
and shows the movement in the artwork and its divisions: virtual and physical external and internal
movement.
1 – The external virtual and physic
al movement that can be extrapolated through the creation of the
artwork and the relationship of elements to each other. The researcher provides the metal works that are
related to parts of the joints moving and refers to Calder as a leader of this method in sculpture.
2 - The internal Movement in the work of art: starting from movement of the point to form a line, then
the surface, down to the size of three-dimensional work, and the movement of diodes within the artwork.
Stages of the vision of the artwork it is: split into three phases a - from the standpoint of sensory, that is,
through sight movement, and the transition between the elements of the artwork, b - the analytical and
cognitive process of the similar or contrasting binaries of art work trends of elements in it, and its
interlocutor, c - the process of mind which includes The story behind the artwork.
The researcher finally deals the rhythm of the movement in the work of art, the futurism, and structural
sculpture through "Tatlin" and "Boccioni" and others. The research ends with analyzing two artworks
for the artists: Picasso and Maillol.
