This research study aims to investigate some works of Picasso, as one of the most famous names in
modern art, especially in sculpture domain, as well as the way of his beginnings that feed him back with
the inspirations and the creative ideas. Thes
e last two ones which started with painting and ended by
creating unique patterns in the space that no one has ever discovered before. It was according to the
cubism school, in which Picasso is considered one of its founders and creators. The importance of this
research comes mainly form the knowledge of the way of merging between mechanisms and multiple
items on one side, and the creativity statue on the other side. Artist have employed his unlimited creative
skills in such a discriminated style representing his character and his inventive thoughts. In that way, he
established a new and a strange concept in sculpture world, whence the form and the essence, and through
that he can merge resplendently between collage and sculpture under one umbrella, compounding and
construction. His works in Synthetic cubism was evidence on his ingeniousness.
Research sheds light on some artistic effects of Islamic miniatures in some paintings of the artist Pablo
Picasso, by tracking aspects of these effects through phases of his artistic experience, the start
of the Blue Period, through the pink stage,
then phase of cubism, then phases abstract and classic almost
concurrent, then Surrealism stage. Was standing when these effects through stand at five
aspects: Expressionist oriented, terminological oriented, mental-oriented, objective-oriented, and oriented
plastic. The search had reached a number of conclusions and recommendations, the most important
Islamic aesthetic portability in painting for inspiration in contemporary painting experiments.
